Synopsis
Gino Felino is an NYPD detective from Brooklyn who knows everyone and everything in his neighborhood. Killing his partner was someone's big mistake... because he's now out for justice.
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Cast
- Steven SeagalGino Felino
- William ForsytheRichie Madano
- Jerry OrbachRonny Donziger
- Jo ChampaVicky Felino
- Shareen MitchellLaurie Lupo
- Sal RichardsFrankie
- Gina GershonPatti Madano
- Jay AcovoneBobby Arms
- Nick CorelloJoey Dogs
- Robert LaSardoBuchi
- 75
San Francisco Chronicle
As entertaining an action movie as you're going to find. [13 Apr 1991, p.C3] - 70
Los Angeles Times
But it entertained me more than Seagal's first three movies. There's more verbal energy and atmosphere, more humor: in-your-face, scabrous, wise-guy macho humor. - 60
Variety
Director John Flynn does a fair job of keeping the minimal storyline crawling along well enough to justify all the mayhem. Too bad the climactic confrontation doesn’t justify the build-up. Stuntwork, however, is first rate, and Seagal remains a convincing action figure. - 50
TV Guide Magazine
OUT FOR JUSTICE's only real weakness is Seagal himself. Always an icon rather than an actor, Seagal's face appears puffy and he's developing jowls. This doesn't bode well for his future as an action hero, since looks count; ugly guys are relegated to the heavy roles, and it's hard to imagine Seagal settling for such an ignoble fate. - 50
The New York Times
It really would be unfair to take such a narrow view of Mr. Seagal's appeal. In fact, he combines street-smart swagger and a flair for wisecracks with a martial arts background and the pampered look of a Hollywood eminence, all of which makes for a lively mix. [13 Apr 1991, p.12] - 40
Washington Post
Though it boasts a big budget and is indeed busier and more densely populated than Seagal's previous efforts, Out for Justice feels cheap, not only in its production but in its content. It's "Scarface" without a point of view; it's shallow plot cluttered with extreme violence, both verbal and physical. - 30
Austin Chronicle
I didn't care much for this movie. It's brutal and it's brutalizing. It seeks to make the audience an accomplice rather than a rational observer. - 25
The Seattle Times
Then it raids "GoodFellas" and "The Godfather" for most of its material, before winding up as the same old ultraviolent schlock. [13 Apr 1991, p.C5]