The Adventures of Priscilla, Queen of the Desert

    The Adventures of Priscilla, Queen of the Desert
    1994

    Synopsis

    Two drag queens and a transgender woman contract to perform a drag show at a resort in Alice Springs, a town in the remote Australian desert. As they head west from Sydney aboard their lavender bus, Priscilla, the three friends come to the forefront of a comedy of errors, encountering a number of strange characters, as well as incidents of homophobia, whilst widening comfort zones and finding new horizons.

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    Cast

    • Hugo WeavingAnthony "Tick" Belrose / Mitzi Del Bra
    • Guy PearceAdam Whitely / Felicia Jollygoodfellow
    • Terence StampBernadette Bassenger
    • Bill HunterBob Spart
    • Sarah ChadwickMarion Barber
    • June Marie BennettShirley
    • Rebel Penfold-RussellLogowoman
    • John CaseyBartender
    • Murray DaviesMiner
    • Frank CorneliusPiano Player

    Recommendations

    • 88

      The Globe and Mail (Toronto)

      Good ain't the half of it in this case - it's funny, it's endearing, it's strangely touching. [19 Aug 1994]
    • 83

      Entertainment Weekly

      The generosity and gorgeousness with which Aussie writer-director Stephan Elliott (and costume designers Lizzy Gardiner and Tim Chappel) turn this most unlikely road picture into something arresting - if a tad sentimental - in its naive vision of a perfectly tolerant world.
    • 80

      The New York Times

      The Adventures of Priscilla, Queen of the Desert presents a defiant culture clash in generous, warmly entertaining ways.
    • 75

      ReelViews

      The Adventures of Priscilla, Queen of the Desert is about the most fun you can have with three guys who like to dress up as women.
    • 75

      Rolling Stone

      In this roaringly comic and powerfully affecting road movie, Terence Stamp gives one of the year's best performances.
    • 70

      Chicago Reader

      This nicely made 1994 comedy-drama could be described as an Australian "Easy Rider," with Sydney drag queens instead of bikers and no apocalyptic ending.
    • 67

      Austin Chronicle

      Where drag is concerned, though, the film does anything but drag; Elliott has no compunction about restraint, and Priscilla gushes with bitchy repartee, campy comedy, sappy Seventies pop (Abba! “Billy, Don't Be a Hero”! “Take a Letter, Maria”!), and production numbers so outrageous, they make the Divine Miss M's excess look like the efforts of a Baptist boys' camp.
    • 63

      Chicago Sun-Times

      It is done well, yet one is still surprised to find it done at all.

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