The Secret Agent

    The Secret Agent
    1996

    Synopsis

    In 1880s London, pornographic bookseller Verloc is a double agent for the Russian government, providing information to Chief Inspector Heat about a lazy anarchist organization. In order for the anarchists to be arrested, an act of terrorism must occur. So Verloc decides to set up bombs – which leads to tragedy – not only for himself but also for his family, including wife Winnie and brother-in-law, Stevie.

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    Cast

    • Bob HoskinsVerloc
    • Patricia ArquetteWinnie
    • Jim BroadbentChief Inspector Heat
    • Christian BaleStevie
    • Gérard DepardieuOssipon
    • Eddie IzzardVladimir
    • Peter VaughanThe Driver
    • Robin WilliamsAssassin (uncredited)
    • Elizabeth SpriggsWinnie's Mother
    • Neville PhillipsTicket Clark

    Recommendations

    • 75

      TV Guide Magazine

      Writer-director Christopher Hampton's adaptation of Joseph Conrad's widely-read novel is an honorable failure, a screen version that's actually too faithful to its source.
    • 67

      Austin Chronicle

      It's an utterly contemporary film that forces - and rewards - hard reflection on the nature of truth, goodness, and identity.
    • 50

      Christian Science Monitor

      Christopher Hampton's film conveys the basic plot of Joseph Conrad's sinuous novel but loses the book's sardonic tone and psychological depth.
    • 50

      San Francisco Examiner

      This is a piece of gloriously literary and serious filmmaking, but again it falls prey to misjudgments in pacing and rhythm.
    • 40

      Chicago Reader

      Fairly strong on period atmospherics, but it mainly adds up to yet another pointless adaptation of a literary standby.
    • 40

      Empire

      The big surprise and highlight is not in the clumsily structured, jerky plot of the monotonous mood but an uncredited Robin Williams, actually chilling as a mad bomber anarchist.
    • 40

      Variety

      A dour study of terrorism, 1880s style, The Secret Agent represents an adaptation of Joseph Conrad's only London-based novel, the fidelity of which to the original text does not yield a terrifically exciting film.
    • 30

      The New York Times

      The movie, which imagines its principal characters as metaphorically ticking time bombs, never convincingly portrays their passions.