The Substitute

    The Substitute
    1996

    Synopsis

    When an inner-city Miami schoolteacher gets her knee broken after standing up to the school's gang leader, her mercenary combat specialist boyfriend goes undercover as a substitute teacher to take down the punk. Soon he discovers a conspiracy of criminals at work, and must reassemble his team from his last jungle raid to stop them.

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      Cast

      • Tom BerengerJonathan Shale
      • Raymond CruzJoey Six
      • Marc AnthonyJuan Lacas
      • William ForsytheHollan
      • Luis GuzmánRem
      • Diane VenoraJane Hetzko
      • Ernie HudsonClaude Rolle
      • Richard BrooksWellman
      • Glenn PlummerDarrell Sherman
      • Cliff DeYoungMatt Wolfson

      Recommendations

      • 75

        San Francisco Chronicle

        The Substitute is a guilty pleasure, but it's not garbage. Berenger brings to the role an appealing ruggedness and world-weariness, and Ernie Hudson, as the corrupt principal, is sleazy and elegant. The script isn't bad, either.
      • 70

        Variety

        Though the setup is largely preposterous, the filmmakers go whole-hog for the idea and provide a kinetic entertainment.
      • 50

        Baltimore Sun

        The secret reptile part of you yearns to see Berenger's laconic Shale enforce classroom discipline with his Uzi and back up the no-talking rule with a Claymore mine. But no. Rather, Shale tumbles quickly enough to the fact that more than routine violence is afflicting the school, that there is, in fact, a conspiracy.
      • 50

        ReelViews

        The Substitute has its moments, all of which fall in the realm of high camp. One scene not to be missed: Shale, attempting to get his class' attention, roars, "I'm the warrior chief! I'm the merciless god who rules over everything that stirs in my universe!" It's a hilarious moment, and I'm reasonably certain the director intended for it to be so. Nevertheless, aside from a lot of only moderately-satisfying violence, The Substitute comes across as rather lame. It's not boring, but that dubious qualification isn't enough to earn the movie a passing grade.
      • 40

        Empire

        Here's a film consisting entirely of things you've seen before. Especially indebted to the hardly classic students-on-rampage sagas Class Of 1984 and The Principal, it even takes its title from a forgotten Amanda Donohoe DTV movie of a few years back. Furthermore, it's choppily directed by Robert Manel (School Ties) and toplined by the still-in-decline Tom Berenger.
      • 40

        Time Out

        In director Mandel's unsophisticated hands, this all comes over like an amusingly preposterous mix of Kindergarten Cop and Dangerous Minds. But the script, by at least three writers, doesn't have the dialogue, characterisations, plotting, or plain interest to sustain a school-based drama.
      • 30

        The New York Times

        The movie's mentality is su'med up in one cutaway shot. A split second before a man's face is about to be shoved into a boat propeller, the movie flashes to another man pushing half an orange onto the head of a squeezer.
      • 25

        Chicago Sun-Times

        I am so very tired of this movie. I see it at least once a month. The title changes, the actors change, and the superficial details of the story change, but it is always about exactly the same thing: heavily armed men shooting at one another.

      Seen by

      • skolpols
      • Antihero