Contact

4.67
    Contact
    1997

    Synopsis

    A radio astronomer receives the first extraterrestrial radio signal ever picked up on Earth. As the world powers scramble to decipher the message and decide upon a course of action, she must make some difficult decisions between her beliefs, the truth, and reality.

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    Cast

    • Jodie FosterEllie Arroway
    • Matthew McConaugheyPalmer Joss
    • James WoodsMichael Kitz
    • John HurtS. R. Hadden
    • Tom SkerrittDavid Drumlin
    • William FichtnerKent
    • David MorseTed Arroway
    • Angela BassettRachel Constantine
    • Geoffrey BlakeFisher
    • Max MartiniWillie

    Recommendations

    • 100

      ReelViews

      Contact is that rare big-budget motion picture that places ideas, characters, and plot above everything else.
    • 80

      Empire

      Contact delivers on more than a pure visual level, reiterating the idea that greatest progress is made taking "small steps" towards enlightenment.
    • 75

      Christian Science Monitor

      Its discussions don't go very deep, and moviegoers with strong religious values may wonder why it comes down for humanism over spirituality.
    • 70

      The New York Times

      The movie, adapted from a novel by Carl Sagan, presents one long chain of teasingly open-ended questions about reason versus faith and technology versus religion, and ends up tentatively embracing mysticism over rationality.
    • 70

      Salon

      Faithful to Sagan's brand of popularized science, the film never reaches beyond Hollywood spectacle and sentimentality.
    • 67

      Austin Chronicle

      Little effort is made to churn up romantic chemistry between Foster and McConaughey. For better or worse, director Robert Zemeckis sticks to Sagan's original vision for these characters, in which they're basically totems embodying both sides of a philosophical dialectic.
    • 50

      Rolling Stone

      Contact aims to be a film of ideas but serves too many of them half-baked.
    • 50

      San Francisco Chronicle

      Contact, directed by Robert Zemeckis, may be too long, too self-important and too "Gump"-like to be completely satisfying. But it contains elements that are so striking they pretty much redeem the film.

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