15 Minutes

    15 Minutes
    2001

    Synopsis

    When Eastern European criminals Oleg and Emil come to New York City to pick up their share of a heist score, Oleg steals a video camera and starts filming their activities, both legal and illegal. When they learn how the American media circus can make a remorseless killer look like the victim and make them rich, they target media-savvy NYPD Homicide Detective Eddie Flemming and media-naive FDNY Fire Marshal Jordy Warsaw, the cops investigating their murder and torching of their former criminal partner, filming everything to sell to the local tabloid TV show "Top Story."

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    Cast

    • Robert De NiroEddie Flemming
    • Edward BurnsJordy Warsaw
    • Kelsey GrammerRobert Hawkins
    • Avery BrooksLeon Jackson
    • Melina KanakaredesNicolette Karas
    • Karel RodenEmil Slovak
    • Oleg TaktarovOleg Razgul
    • Vera FarmigaDaphne Handlova
    • John DiRestaBobby Korfin
    • James HandyCaptain Duffy

    Recommendations

    • 75

      Chicago Tribune

      The surprise here isn't that 15 Minutes isn't a masterpiece; it's that the movie works at all.
    • 75

      Chicago Sun-Times

      A cynical, savage satire about violence, the media and depravity. It doesn't have the polish of "Natural Born Killers" or the wit of "Wag the Dog," but it's a real movie, rough edges and all, and not another link from the sausage factory.
    • 60

      Rolling Stone

      Big, loud and lurid, but no less entertaining for that.
    • 50

      New York Daily News

      The Czech Republic and Russia, the respective homes of Emil and Oleg, should sue.
    • 38

      Baltimore Sun

      The unearned air of moralism that wafts through 15 Minutes pollutes its entertainment value.
    • 30

      Village Voice

      15 Minutes settles into Richard Donner-style goulash.
    • 25

      Miami Herald

      It takes a concerted effort to make a movie as relentlessly stupid and grating as 15 Minutes.
    • 25

      Entertainment Weekly

      Is less an end in itself than an excuse, a jumping off point for showy, contrived, borderline exploitation sequences that fail to tie together because they're not really there to do anything but sell themselves as money shot thrills.

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