A Matter of Taste

    A Matter of Taste
    2000

    Synopsis

    Nicolas, a handsome, young waiter, is befriended by Frédéric Delamont, a wealthy middle-aged businessman. Delamont, a man of power, influence and strictly refined tastes, is immediately smitten by Nicolas' charm. Lonely and phobic, Delamont offers Nicolas a lucrative job as his personal food taster. In spite of their differences, a close friendship begins to emerge between the two men. However, their bond of trust and admiration soon spirals downward into a dangerous game of deceit and obsession for which neither is prepared.

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    Cast

    • Bernard GiraudeauFrédéric Delamont
    • Jean-Pierre LoritNicolas Rivière
    • Charles BerlingRené Rousset
    • Florence ThomassinBéatrice
    • Jean-Pierre LéaudLe juge d'instruction
    • Artus de PenguernFlavert
    • Laurent SpielvogelDocteur Rossignon
    • Élizabeth MacoccoCaroline
    • Anne-Marie PhilipeDocteur Ferrières
    • Delphine ZinggNathalie

    Recommendations

    • 100

      San Francisco Chronicle

      The writing, by Rapp and Catherine Dussart, is exquisite, and the performers, including Francois Truffaut's old colleague Jean-Pierre Leaud as a magistrate, are all first-rate.
    • 90

      Los Angeles Times

      An elegant study of devious mind games and emotional perversion, it makes the strangest of psychological dynamics plausible and involving.
    • 80

      L.A. Weekly

      Rapp's creepy, ghoulishly funny and, finally, touching new film.
    • 80

      The New York Times

      This deliciously nasty French deconstruction of male pecking orders, directed by Bernard Rapp, should send a pleasant shiver down the spine of anyone who has ever obsessed about wanting to please a devious and manipulative boss.
    • 75

      New York Daily News

      A neat little almost-thriller, this witty French diversion manages to mess with your head with little apparent effort.
    • 75

      Boston Globe

      A Matter of Taste, French director Bernard Rapp's polished second film, swims in lies, ones that sate at first, but soon intoxicate, seduce, and drown.
    • 70

      New Times (L.A.)

      The two lead performances are so good it contains more emotional depth than it probably has a right to.
    • 63

      New York Post

      There are also food scenes that will whet your appetite. But somehow a satisfying climax never makes it out of the oven.