Synopsis
A New York drug dealer is kidnapped, and his wife must try to come up with the money and drugs to free him from his abductors before Christmas.
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Cast
- Drea de MatteoThe Wife
- Lillo BrancatoThe Husband
- Ice-TThe Kidnapper
- Lisa ValensLisa, the Daughter
- Victor ArgoLouie
- Denia BracheLouie's Wife
- Meredith OstromElfie
- Janis CorsairShopper 1
- Gloria IrizarryAunt
- Naomi MoralesThe Niece
Recommendations
- 80
The A.V. Club
A lean, well-contained slice-of-life at 83 minutes, 'R Xmas finds the director making a confident return to the hard-nosed realism on which he's staked his maverick reputation. - 80
Los Angeles Times
Few directors can put loneliness on screen as persuasively or capture the eerie quiet of people waiting for something, anything to happen. It's in moments such as these, when all sense of time disappears and all that remains are bodies in motion and Ken Kelsch's limpid cinematography, that you remember just how good Ferrara can be. - 75
New York Post
Introduces a new Ferrara -- sophisticated and restrained. It's a look that becomes him. - 70
L.A. Weekly
R Xmas offers a poetic and profane ambiguity that's vintage Ferrara. The drug dealers are community leaders, the cops are corrupt, and the materialistic wife has unimagined emotional reserves. - 60
Variety
Despite some hazy plot points, the tough, compelling drama comes together quite satisfyingly, standing alongside 1996's "The Funeral" as perhaps the most controlled and cohesive of Ferrara's uneven work of recent years. - 60
Village Voice
Like any self-respecting Ferrara film, 'R Xmas has its intimations of hellfire, yet it's a weirdly benign Christmas fable -- something like "Miracle on 134th Street." - 60
TV Guide Magazine
Cinematographer Ken Kelsch, Ferrara's frequent collaborator, picks up the theme of overlapping lives by layering images within scenes -- the ongoing interplay of reflections and shadows is breathtaking -- and through slow, shimmering dissolves. - 50
Christian Science Monitor
The title refers to the commercialization of just about everything in modern society, and Ferrara brings touches of his ornery filmmaking imagination to bear on the pessimistic parable.
