Baran

    Baran
    2001

    Synopsis

    On a building site in present-day Tehran, Lateef, a 17-year-old Turkish worker is irresistibly drawn to Rahmat, a young Afghan worker. The revelation of Rahmat's secret changes both their lives.

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    Cast

    • Hossein AbediniLateef
    • Zahra BahramiBaran
    • Reza NajiMemar
    • Hossein MahjoubSoltan
    • Abbas RahimiSoltan
    • Gholam Ali BakhshiNajaf
    • Jafar TawakoliInspector
    • Yadollah HedayatiLors workers' chief
    • Parviz LarijaniShop owner
    • Mahmoud BehrazniaBuilding Contractor

    Recommendations

    • 100

      Boston Globe

      Simple, but loaded. It celebrates the humanity and humanism at the heart of Iran's remarkable flow of films, but it's also more of a rebuke to materialistic values than any ideologue could ever hope to be.
    • 90

      The New York Times

      The lovely clarity of this story, which seems to have been drawn from the literature of an earlier age, is well served by the artful subtlety of the telling. Mr. Majidi prefers imagery to exposition, and his shots are as dense with meaning, and as readily accessible, as Dutch paintings.
    • 90

      New York Magazine (Vulture)

      It's an elliptical tragedy in which the fate of its characters takes on a larger significance while never losing its intimacy.
    • 90

      Washington Post

      As in Chaplin's films, humor and tragedy dance a wonderful tango throughout the movie. Baran is heartbreaking and laugh-out-loud funny, sometimes apart, sometimes together.
    • 88

      Charlotte Observer

      The director lingers over images, watching builders at work or Baran at her chores; the camera often seems to daydream, like Lateef. No grand climax caps the film, but the small incidents have a cumulative effect.
    • 80

      Chicago Reader

      Despite its mawkish tendencies, the film is remarkable for the naturalistic acting of its cast, particularly the simple, tenderly expressive performances of the two leads.
    • 75

      San Francisco Chronicle

      Can and should be appreciated as a work of delicate and unmistakable beauty.
    • 75

      Portland Oregonian

      The film is filled with fascinating, static set-ups, beautiful but never fussy or artificial.