Out 1

4.00
    Out 1
    1971

    Synopsis

    While two theater groups rehearse plays by Aeschylus, two solitary individuals wander the Parisian streets hustling the populace for cash.

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    Cast

    • Michèle MorettiLili
    • Hermine KaragheuzMarie
    • Karen PuigElaine
    • Pierre BaillotQuentin
    • Marcel BozonnetNicolas / Arsenal / Papa / Théo
    • Jean-Pierre LéaudColin
    • Michael LonsdaleThomas
    • Sylvain CorthayAchille
    • Edwine MoattiBéatrice
    • Bernadette OnfroyBergamotte

    Recommendations

    • 100

      The Playlist

      Out 1 isn’t just exploratory in its filmmaking methods; exploration is its dramatic essence.
    • 100

      The A.V. Club

      Uniquely ambitious, Rivette’s film (technically a serial) spends nearly 13 hours stitching paranoia, loneliness, comedy, and mystical symbolism into a crazy quilt big enough to cover a generation.
    • 90

      Variety

      Its mind-bending storytelling and themes of play and paranoia make it perhaps the quintessential Gallic movie of its era.
    • 90

      The New York Times

      What plays out is a cinematic experience of life as performance, performance as life, reality as a construction and reality as someone else’s construction impinging on your own. The pace, which picks up and slows down throughout, is not some kind of perverse challenge to the audience. It is intrinsic to the inescapable atmosphere of the work.
    • 80

      Village Voice

      A rambling daydream that aims literally to supplant your life, it's in effect a serial, in eight ninety-plus-minute chapters, TV-ready but defined by Rivette as a consuming theatrical experience. It consumes, all right, like a drug that won't fade, but it's also a lark, a metafiction without any reality, a magnificent irrelevance.
    • 80

      The Guardian

      Out 1: Noli Me Tangere is confounding at every level.
    • 63

      Slant Magazine

      Out 1 is largely a film of conversation, as its prolonged rehearsal vignettes regularly give way to even lengthier scenes of verbal self-analysis.

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