The Slaughter Rule

    The Slaughter Rule
    2002

    Synopsis

    A young man finds solace with a young woman, his mother, and a high-school football coach who recruits him to quarterback a six-man team.

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    Cast

    • Ryan GoslingRoy Chutney
    • David MorseGideon 'Gid' Ferguson
    • Clea DuVallSkyla Sisco
    • Amy AdamsDoreen
    • David CaleFloyd aka Studebaker
    • Eddie SpearsTracy Two Dogs
    • Kelly LynchEvangeline Chutney
    • Ken WhiteRuss Colfax
    • Noah WattsWaylon Walks Along
    • Kim DeLongLem Axelrod

    Recommendations

    • 90

      Village Voice

      The lead performances could hardly be better: Gosling, having stolen and propped up entire movies last year ("Murder by Numbers" and "The Believer"), crackles with the economical intensity of a young Tim Roth. Morse, who has racked up decades worth of idiosyncratic character parts, is monumental in this career-peak turn.
    • 80

      The New York Times

      A bleak, lyrical meditation on the frontier spirit and American machismo and its torments.
    • 80

      The A.V. Club

      Though some of Slaughter Rule's conclusions are overly tidy, the film's powerful meditation on masculinity gets much of its credibility and punch from the two leads, especially Morse, a reliable character actor who sinks his teeth into a role with heavy physical and psychological demands.
    • 80

      Chicago Reader

      Actor David Morse establishes himself as a truly formidable presence in this powerful first feature by Alex and Andrew Smith.
    • 75

      Christian Science Monitor

      This well-acted melodrama paints a convincing portrait of its Montana milieu, and its best scenes suggest real insights into the paradoxical attitudes toward masculinity and sexuality that American men often feel compelled to assume.
    • 75

      New York Daily News

      What it offers are dozens of intimate moments that feel so true, they achieve a rare kind of grace. This sensitive indie drama was written and directed by brothers - and first-time feature filmmakers.
    • 70

      Los Angeles Times

      Has the virtue of sincerity but not that of restraint. Unlike Terrence Malick, whose shadow looms over the film's visual style, the Smiths over-explain, not grasping that all those barren fields and blood-red clouds are doing plenty of work for them.
    • 63

      New York Post

      A good-looking, if imperfectly plotted, coming-of-age feature -- that doesn't quite manage to sidestep the clichéd sport-as-metaphor-for-life trap.