Synopsis
When shy, straitlaced George (Tunde Adebimpe) meets vivacious, adorable Alicia (Natalia Verbeke), he's instantly smitten -- which puts his imminent arranged marriage in jeopardy. He vows to do the right thing, but then he falls in with Gerard (Hippolyte Girardot), a lovesick, voluble Frenchman who overcomes George's sense of propriety and takes him on a meandering road trip to amour.
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Cast
- Tunde AdebimpeGeorge
- Natalia VerbekeAlicia
- Murielle ArdenClaudette Chadoutard
- James WilbyNathan
- Kaili VernoffHeather Leather
- Hippolyte GirardotGérard
- Cherie JimenezMaria (as Cherie Daly)
- William BarryCompere
- Alan GryfeTeacher
- Amy SedarisOther Student in Class
- 80
Variety
Hopkins delivers a genuinely charming example through the generosity and affection with which he treats his characters, a racially and culturally mixed bunch that could have seemed schematic and forced. - 80
L.A. Weekly
One of the sweetest comedies in a long time, which doesn't mean it's sugary or fey. - 75
Chicago Sun-Times
The plot unfolds with the gradual richness of something by Eric Rohmer, who has the whole canvas in view from the beginning but uncovers it a square inch at a time. By the end of Jump Tomorrow I was awfully fond of the picture. - 75
Seattle Post-Intelligencer
At times a bit stilted, a common quality of first-time directors who try too hard to sculpt every scene, but it's refreshingly bereft of slick cynicism and smart-ass snideness. - 67
Austin Chronicle
The performances are extremely good, and the tone maintains a droll continuity throughout. - 63
New York Post
Quirky and good-natured, it makes the most of an unknown but able and refreshingly international cast. And for a low-budget indie, it looks remarkably good and moves along with real snap. - 60
TV Guide Magazine
Delightful mix of swinging '60s style, road movie conventions and age-old romantic comedy tropes that coasts along on little more than charm, and does it delightfully. - 50
Entertainment Weekly
There's a certain breed of annoying indie movie in which a character's shyness is portrayed in a manner so coy that it becomes a reverse form of exhibitionism. Jump Tomorrow is that kind of movie.