Ararat

    Ararat
    2002

    Synopsis

    Interrogated by a customs officer, a young man recounts how his life was changed during the making of a film about the Armenian genocide.

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    Cast

    • Simon AbkarianArshile Gorky
    • Charles AznavourEdward Saroyan
    • Christopher PlummerDavid
    • Arsinée KhanjianAni
    • David AlpayRaffi
    • Marie-Josée CrozeCelia
    • Elias KoteasAli / Jevdet Bay
    • Brent CarverPhilip
    • Max MorrowTony
    • Christie MacFadyenJanet

    Recommendations

    • 83

      Entertainment Weekly

      As ever, Egoyan assembles a devoted repertory cast, including Christopher Plummer.
    • 80

      Chicago Reader

      Expresses with uncommon power the highly relevant issue of public indifference to genocide, which is especially well dramatized by a scene with Elias Koteas as an actor playing a Turk.
    • 75

      San Francisco Chronicle

      This is a heartfelt piece, and while passion alone can't carry a movie, it sure helps. Ararat is uneven because Egoyan couldn't tell it smoothly.
    • 75

      Chicago Tribune

      This toweringly ambitious picture confronts a brilliant director, Atom Egoyan, with a major historical event and a profound theme.
    • 70

      Dallas Observer

      The resulting project matters much and should be seen, but how much it'll be FELT depends on your specific level of patience for a director who presumes audience comprehension to be at about a fourth-grade level (at least he's a shoo-in for Hollywood).
    • 70

      Los Angeles Times

      Egoyan's oblique, layered attack ultimately pays off, evoking a strong emotional connection between past and present, the historical and the personal, in a flowing, cinematic manner in collaboration with his frequent cameraman, Paul Sarossy. The film makes use of an intoxicating array of Armenian music.
    • 63

      USA Today

      Has its moments -- and almost as many subplots.
    • 60

      The A.V. Club

      Though typically engaging, Ararat occasionally suffers from what's previously been a virtue in Egoyan's filmmaking. His distancing techniques, rather than sharpening his ability to deal with a subject that lends itself to high emotion -- sometimes just seem distancing.

    Seen by

    • leauds