Elizabethtown

3.00
    Elizabethtown
    2005

    Synopsis

    Drew Baylor is fired after causing his shoe company to lose hundreds of millions of dollars. To make matters worse, he's also dumped by his girlfriend. On the verge of ending it all, Drew gets a new lease on life when he returns to his family's small Kentucky hometown after his father dies. Along the way, he meets a flight attendant with whom he falls in love.

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    Cast

    • Orlando BloomDrew Baylor
    • Kirsten DunstClaire Colburn
    • Susan SarandonHollie Baylor
    • Alec BaldwinPhil DeVoss
    • Bruce McGillBill Banyon
    • Judy GreerHeather Baylor
    • Jessica BielEllen Kishmore
    • Paul SchneiderJessie Baylor
    • Loudon Wainwright IIIUncle Dale
    • Gailard SartainCharles Dean

    Recommendations

    • 63

      ReelViews

      What's sad is that Elizabethtown contains two GREAT sequences.
    • 60

      The A.V. Club

      Only a truly great director can make a film of high artistic merit, filled with personality and memorable scenes, that's still a borderline disaster. (Think One From The Heart or 1941.) So the heartfelt and woefully miscalculated Elizabethtown may be the film that marks Cameron Crowe's arrival as a truly great director.
    • 60

      L.A. Weekly

      Crowe's undeniable gifts -- his well-crafted individual scenes and his love for his characters -- are more evident here than his flaws.
    • 58

      Entertainment Weekly

      Think of Elizabethtown as Cameron Crowe's rambling amateur travelogue, one from a well-liked professional filmmaker momentarily so distracted by private notes scrawled on his souvenir map that he gets lost en route to telling his story of self-renewal. This undershaped, overlong warmedy is an homage to the memory of his late father.
    • 50

      The Hollywood Reporter

      Tedious humor and sentimentality bury what could have been a pretty good road picture.
    • 50

      Variety

      Although rich in screwball silliness and sharp one-liners, film lacks the narrative drive one finds in the classic comedies of Preston Sturges, Frank Capra and Billy Wilder, whom Crowe always seems to try to emulate.
    • 50

      Village Voice

      Where the earlier flick (Garden State), in its smallness, felt like an honest representation of writer-director-star Zach Braff's struggles with notions of home, Crowe's is a hodgepodge of great ideas and moods in search of a plot to enrich.
    • 50

      Dallas Observer

      It's a mess, absolutely, more a collage than a narrative.

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