The Possession

    The Possession
    2012

    Synopsis

    A young girl buys an antique box at a yard sale, unaware that inside the collectible lives a malicious ancient spirit. The girl's father teams with his ex-wife to find a way to end the curse upon their child.

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    Cast

    • Jeffrey Dean MorganClyde Brenek
    • Kyra SedgwickStephanie Brenek
    • Natasha CalisEmily 'Em' Brenek
    • Madison DavenportHannah Brenek
    • Rob LaBelleRussell
    • MatisyahuTzadok Shapir
    • Quinn LordStudent
    • Jay BrazeauProfessor McMannis
    • Jim ThorburnMan
    • Erin SimmsPossessed Italian Girl

    Recommendations

    • 88

      Chicago Sun-Times

      Like "The Exorcist," the best film in the genre, it is inspired by some degree of religious scholarship and creates believable characters in a real world. That religions take demonic possessions seriously makes them more fun for us, the unpossessed.
    • 70

      Movieline

      This variation on the demon child subgenre has enough of the familiar and the new to be a decently good time at the movies.
    • 60

      Arizona Republic

      Ole Bornedal's film hits enough high notes to make it a worthwhile addition to the exorcism-film heap, somewhere in the lower middle.
    • 50

      The Hollywood Reporter

      Representing a sort of equal opportunity religious variation on an all-too-familiar theme, The Possession is a Jewish-themed "Exorcist" that, if nothing else, should discourage the practice of buying antique wooden boxes at flea markets.
    • 50

      Variety

      A ho-hum exorcism chiller that tries to spice up a formulaic screenplay by converting a predominantly Catholic-fixated horror subgenre to Judaism.
    • 42

      The Playlist

      Here everything feels limp – simultaneously over and undercooked. It doesn't leave much of an impression and every scare seems to be either some lame jump scare or a fright inflicted by the shrill score.
    • 30

      Village Voice

      Bornedal's fondness for punctuating abrupt cuts to black with a solitary piano-key note is so pathological that it soon turns risible.
    • 25

      The A.V. Club

      The Possession attempts to breathe new life into a creaky old subgenre by taking its exorcist and demon from Jewish mythology, but even this backfires: The casting of Jewish reggae star Matisyahu would be distracting even if he weren't introduced singing softly to himself.

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