Rize

    Rize
    2005

    Synopsis

    A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.

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    Cast

    • Christopher TolerHimself
    • Tommy the ClownHimself
    • Miss PrissyHerself
    • DragonHimself
    • Ceasare WillisHimself
    • La NiñaHerself
    • Larry BerryHimself
    • Kevin RichardsonHimself
    • Jassy MarieLil Mama Dancer

    Recommendations

    • 90

      New York Magazine (Vulture)

      Stunning, explosively moving.
    • 83

      Entertainment Weekly

      As long as it showcases the art of krump, underscoring the dancers with ominous hip-hop beats, Rize is such a vibrant eruption of motion and attitude that you can forgive the film for being disorganized and too skimpy on street-dance history.
    • 80

      Film Threat

      It's the speed and intensity that makes the dance style remarkable.
    • 80

      Variety

      Eye-popping lensing and an appreciation of social complexities combine for an entirely satisfying experience.
    • 80

      Dallas Observer

      Fashion photographer David LaChapelle expands upon his award-winning short film "Krumped," introducing us to the new dance forms popular in South Central Los Angeles via the charismatic "ghetto celebrity" known as Tommy the Clown.
    • 80

      L.A. Weekly

      The film soars when the camera is trained on its young subjects in action.
    • 75

      Rolling Stone

      There's no way to take your eyes off it.
    • 75

      Miami Herald

      The result is an eye-opening social portrait in the tradition of "Paris Is Burning," the landmark 1990 documentary that introduced drag balls and ''vogueing'' to the mainstream, but it lacks the earlier film's structure and focus.

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