Lady Vengeance

3.67
    Lady Vengeance
    2005

    Synopsis

    Released after being wrongfully convicted and imprisoned for 13 years, a woman begins executing her elaborate plan of retribution.

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    Cast

    • Lee Young-aeLee Geum-ja
    • Choi Min-sikMr. Baek
    • Kwon Yea-youngJenny
    • Kim Shi-hooGeun-shik
    • Nam Il-wooDetective Choi
    • Kim Byeong-okPreacher
    • Oh Dal-suMr. Chang
    • Seung-shin LeePark Yi-jeong
    • Kim Bu-seonWoo So-young
    • Ra Mi-ranOh Su-hee

    Recommendations

    • 100

      TV Guide Magazine

      It concludes Park's trilogy on a dual note of circular tragedy and fragile hope, while working equally well as an introduction to his universe of retribution and repentance or as a stand-alone thriller with a darkly feminist twist.
    • 88

      New York Daily News

      Less bloody than its predecessors, Lady Vengeance wraps up with a killer (literally) finale that calls into question the killer instinct. It's one of the reasons Park's brutal films are so emotionally rewarding.
    • 80

      Film Threat

      A brutal mystery that's more beautifully poetic than the previous entries but still just as captivating. From opening to closing credits, every image is photographed as if it were a painting; even those involving ferocious violence are wonderful to look at.
    • 75

      ReelViews

      Lady Vengeance contains violence (some extreme), but it is not an action film. It is deliberately paced, allowing the audience to have time to reflect upon what's happening. And the comedy is of the gallows variety.
    • 75

      The A.V. Club

      It takes patience and industry to make sense of the first half, intestinal fortitude to deal with the second, and a little flexibility to make the transition from one to the other. But the whole process adds up to a fairly impressive two-stage thrill ride, like rafting through choppy waters, then plummeting over a waterfall into a dark and deadly pit.
    • 70

      The Hollywood Reporter

      Mixes comedy and melodrama to a typically baroque degree. Like his "Oldboy" and "Sympathy for Mr. Vengeance," the film displays an audacious visual and narrative style, often sacrificing credibility and coherence along the way. But there is no denying its originality.
    • 70

      Variety

      A wildly inventive, highly cinematic director's showcase that looks likely, at least in the West, to enthuse fans of Asian -- especially Korean -- genre movies more than general auds.
    • 70

      Village Voice

      As much as Lady Vengeance spins around its implacable protagonist like a rabid dog on a rope, the film becomes in its last, galling act an unlikely but stunning ensemble piece.

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