Grindhouse

    Grindhouse
    2007

    Synopsis

    Grindhouse combines Robert Rodriguez's Planet Terror, a horror comedy about a group of survivors who battle zombie-like creatures, and Quentin Tarantino's Death Proof, an action thriller about a murderous stuntman who kills young women with modified vehicles. It is presented as a double feature with fictitious exploitation trailers before each segment.

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    Cast

    • Kurt RussellStuntman Mike (segment "Death Proof")
    • Zoë BellHerself (segment "Death Proof")
    • Rosario DawsonAbernathy (segment "Death Proof")
    • Vanessa FerlitoButterfly (segment "Death Proof")
    • Sydney Tamiia PoitierJungle Julia (segment "Death Proof")
    • Tracie ThomsKim (segment "Death Proof")
    • Rose McGowanPam (segment "Death Proof") / Cherry (segment "Planet Terror")
    • Jordan LaddShanna (segment "Death Proof") / Judy (segment "Thanksgiving")
    • Mary Elizabeth WinsteadLee Montgomery (segment "Death Proof")
    • Quentin TarantinoWarren (segment "Death Proof") / Rapist #1 (segment "Planet Terror")

    Recommendations

    • 100

      Village Voice

      This monumentally pointless movie is best summarized by a line from Planet Terror: "At some point in your life, you find a use for every useless talent you have." Rodriguez, Tarantino, and Co. aim for nothing more noble than to freak the funk, and it's about godd--- time. Go wasted, go stoned, go without your parents' permission. In paying homage to an obsolete form of movie culture, Grindhouse delivers a dropkick to ours.
    • 100

      Entertainment Weekly

      Grindhouse, like "Ed Wood" and "Boogie Nights," celebrates how certain low-grade entertainment, viewed in hindsight, looks different now than it did then, since we can see the ''innocence'' of its creation -- the handmade quality of it -- in a world not yet ruled by corporate technology.
    • 100

      L.A. Weekly

      I suspect that Death Proof will throw some of its director's admirers for a loop, though it may be the most revealing thing Tarantino has yet done -- a full-throttle expression of a singular artistic temperament disguised, like so many gems of grindhouses yore, as a glittering hunk of trash.
    • 88

      Rolling Stone

      By stooping low without selling out, this babes-and-bullets tour de force gets you high on movies again.
    • 88

      Premiere

      As much as I enjoyed much of it, I hope Grindhouse doesn't start any trends. Exploitation cinema is combustible stuff that only highly trained professionals should be permitted to play with.
    • 88

      New York Daily News

      Critics are already comparing the two movies and largely agreeing that Tarantino?s story about a psychopathic stuntman who targets women for highway carnage is the best. I disagree.
    • 80

      Variety

      Planet Terror delivers only momentary kicks...while Tarantino's Death Proof is a juicy, delicious treat, its pleasures stem much less from the play with genre conventions than from great dialogue and electric performances.
    • 75

      New York Post

      To get to the best part first, Tarantino's adrenaline-pumping "Death Proof" is actually a good movie that - unlike Rodriguez's "Planet Terror," - rethinks its genre in ways that say something to contemporary audiences. And it's got some of Tarantino's best dialogue since "Pulp Fiction."

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