Synopsis
A slacker and a career-driven woman accidentally conceive a child after a one-night stand. As they try to make the relationship work, they must navigate the challenges of parenthood and their differences in lifestyle and maturity.
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Cast
- Seth RogenBen Stone
- Katherine HeiglAlison Scott
- Paul RuddPete
- Leslie MannDebbie
- Jason SegelJason
- Jay BaruchelJay
- Jonah HillJonah
- Martin StarrMartin
- Charlyne YiJodi
- Iris ApatowCharlotte
- 100
Village Voice
Ultimately, what makes Knocked Up a terrific film--one of the year's best, easily--is its relaxed, shaggy vibe; if it feels improvised in places, that's because Apatow trusts his actors enough to let them make it up as they go, like the people they're playing. - 100
Entertainment Weekly
The very opposite of a storybook romance, and also the very model of a great comedy for our values-driven time. - 90
Film Threat
Believe the hype, Knocked Up is one of the funniest films of 2007. It's too early in the year to crown it the supreme funniest title, but save for something so funny your head explodes in the theater, I think it'll take the title by year's end. Seth Rogen, we web slackers salute you! - 88
ReelViews
Knocked Up could be one of the summer of 2007's sleeper hits. It certainly deserves the distinction. - 88
Rolling Stone
Rogen and Heigl step up to the plate with a tougher task from Coach Apatow: Nail every laugh and the emotions underlying them. No worries. They knock it out of the park. - 80
New York Magazine (Vulture)
Knocked Up feels very NOW. The banter is bruisingly funny, the characters BRILLIANTLY childish, the portrait of our culture's narrowing gap between children and their elders hysterical--in all senses. - 80
The New Yorker
On the surface, Apatow's films are about sex--obsessively, exclusively, and exhaustively. (This one lasts more than two hours.) But that is a clever feint, for their true subject is age. - 80
L.A. Weekly
Line for line, Knocked Up isn't quite as funny as "The 40-Year-Old Virgin," which got most of its laughs from the friction between prissy Carell and his sex-crazed stoner co-workers. But it is equally good as a nutty anthropology of marginal living and as an illustration of how much energy it takes to do nothing in a work-obsessed society.
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