Atlas Shrugged: Part I

    Atlas Shrugged: Part I
    2011

    Synopsis

    A powerful railroad executive, Dagny Taggart, struggles to keep her business alive while society is crumbling around her. Based on the 1957 novel by Ayn Rand.

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    Cast

    • Taylor SchillingDagny Taggart
    • Grant BowlerHenry "Hank" Rearden
    • Matthew MarsdenJames Taggart
    • Edi GathegiEddie Willers
    • Jsu GarciaFrancisco D'Anconia
    • Graham BeckelEllis Wyatt
    • Jon PolitoOrren Boyle
    • Patrick FischlerPaul Larkin
    • Rebecca WisockyLillian Rearden
    • Michael LernerWesley Mouch

    Recommendations

    • 50

      San Francisco Chronicle

      The story, a dystopian tale with heroes and villains and lots of triumphs and reversals, is so busy and so inherently interesting that the movie is entertaining until the finish - or the sort of finish. As only the first part of the story, Atlas Shrugged doesn't end, it stops.
    • 40

      The Hollywood Reporter

      The central battle between fearsomely independent corporate mavericks and hostile big government has been updated in a half-baked, unconvincing way that's exacerbated by button-pushing TV-style direction, threadbare production values and blah performances except for that of Taylor Schilling in the central role.
    • 40

      Variety

      Part one of a trilogy that may never see completion, this hasty, low-budget adaptation would have Ayn Rand spinning in her grave, considering how it violates the author's philosophy by allowing opportunists to exploit another's creative achievement -- in this case, hers.
    • 40

      Time Out

      Campy but never dull, this first of three installments ends on a fiery cliffhanger. The completion of parts two and three would represent a victory for irrationality.
    • 38

      Boston Globe

      With a plot devoid of suspense and characters without complexity, Rand's iconic line elicits merely a yawn, or a shrug.
    • 30

      Arizona Republic

      The acting is so poor and the story so badly told that the viewer's feelings about Rand's novel - an epic ode to free-market fundamentalism - are almost immaterial.
    • 25

      Chicago Tribune

      This movie is crushingly ordinary in every way, which with Rand I wouldn't have thought possible.
    • 25

      Chicago Sun-Times

      Now I am faced with this movie, the most anticlimactic non-event since Geraldo Rivera broke into Al Capone's vault.