The Page Turner

    The Page Turner
    2006

    Synopsis

    Mélanie Prouvost, a ten-year-old butcher's daughter, is a gifted pianist. That is why she and her parents decide that she sit for the Conservatory entrance exam. Although Mélanie is very likely to be admitted, she unfortunately gets distracted by the president of the jury's offhand attitude and she fails. Ten years later, Mélanie becomes her page turner, waiting patiently for her revenge.

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    Cast

    • Catherine FrotAriane Fouchécourt
    • Déborah FrançoisMélanie Prouvost
    • Pascal GreggoryJean Fouchécourt
    • Christine CittiMadame Prouvost
    • Clotilde MolletVirginie
    • Jacques BonnafféMonsieur Prouvost
    • Xavier de GuillebonLaurent
    • Antoine MartynciowTristan Fouchécourt
    • André MarconM. Werker
    • Julie RichaletMélanie enfant

    Recommendations

    • 88

      TV Guide Magazine

      The film flows like a sinister and unsettling piece of music, from gripping overture to the tightly orchestrated movements to the unforgettable coda.
    • 83

      The A.V. Club

      A little too neat, and self-consciously vague at the end. But it's fascinating to observe and try to interpret François' mysterious smile as she eyes her boss.
    • 75

      New York Daily News

      Director and co-writer Denis Dercourt infuses Melanie's calculating seduction of the family with a sense of genuine menace. You will not be bored.
    • 75

      Chicago Tribune

      Dercourt, a very fine filmmaker, is a musician himself, a music teacher and one-time solo viola player with the French Symphony Orchestra. And he directs, with a musician's precision and an insider's sly wit, the world of classical music performance.
    • 70

      Variety

      Scripter-helmer Denis Dercourt's sixth feature is spare but classy, with an impressively controlled perf by Deborah Francois (the young mother in the Dardenne Bros.' "L'enfant") opposite popular and spot-on vet Catherine Frot.
    • 70

      Village Voice

      Anyone who remembers "The Hand That Rocks the Cradle" will see the instruments of revenge laid out like cutlery in a slasher movie's kitchen, and Dercourt's overbright visual scheme aims for a Michael Haneke–esque bourgeois chill that comes off instead as curiously bloodless.
    • 70

      Salon

      It's a fine example of the excellence of French genre film right now: A dark tale of revenge with an inscrutable heart, ice in its veins and an electric undercurrent of eroticism, it also might be the best-photographed picture I've seen so far this year.
    • 70

      Los Angeles Times

      Though this film is as formal and predetermined as a carved palace of ice, it builds interest through the strong performances of its pair of costars, the veteran Catherine Frot and relative newcomer Deborah Francois.

    Loved by

    • Hadley