Robin Hood

    Robin Hood
    2010

    Synopsis

    When soldier Robin happens upon the dying Robert of Loxley, he promises to return the man's sword to his family in Nottingham. There, he assumes Robert's identity; romances his widow, Marion; and draws the ire of the town's sheriff and King John's henchman, Godfrey.

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    Cast

    • Russell CroweRobin Longstride
    • Cate BlanchettMarion Loxley
    • Max von SydowSir Walter Loxley
    • William HurtWilliam Marshal
    • Mark StrongGodfrey
    • Oscar IsaacPrince John
    • Danny HustonKing Richard the Lionheart
    • Eileen AtkinsEleanor of Aquitaine
    • Mark AddyFriar Tuck
    • Matthew MacfadyenSheriff of Nottingham

    Recommendations

    • 88

      Charlotte Observer

      Every era gets the Robin Hood it needs…Now director Ridley Scott and writer Brian Helgeland have given us an intelligent, layered story suited to our grim, patience-trying times.
    • 80

      Boxoffice Magazine

      The entire cast is superb. Crowe's an ideal Robin Hood-born to play the role-he's fully in command but human to the core. He owns it.
    • 80

      Empire

      Grown-up but not too serious; action-packed but not juvenile… Not only is this the mullet-free Robin Hood movie we’ve been waiting decades for, it’s also Ridley Scott and Russell Crowe at their most entertaining since Gladiator.
    • 80

      The Hollywood Reporter

      Scott has an eye -- and it's a very good one -- for sieges of castles, charging horsemen, hand-to-hand combat, glistening swords arcing through the air and deadly arrows whistling toward helpless targets.
    • 75

      Boston Globe

      This Robin Hood is mostly a smart, muscular entertainment; it doesn’t breathe new life into a genre as did “Gladiator,’’ Scott’s first pairing with Russell Crowe, but it’s a brawny reimagining of a beloved old myth, a period popcorn movie turned out with professionalism and gusto.
    • 70

      Variety

      Impressively made and serious-minded to a fault, this physically imposing picture brings abundant political-historical dimensions to its epic canvas, yet often seems devoted to stifling whatever pleasure audiences may have derived from the popular legend.
    • 70

      Arizona Republic

      Scott's epic - and it's hard to think of anything this big, this elaborate and, no doubt, this expensive as anything but - is very much an origination story, a prequel, if you will.
    • 67

      Austin Chronicle

      Scott’s is the story of how Robin Longstride (and, no, that’s not a name made up by Mel Brooks), an archer in Richard the Lionheart's last Crusade, became Robin of the Hood, the wily defender of the overtaxed people of Nottingham.

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