Il Divo

4.00
    Il Divo
    2008

    Synopsis

    Italy, early '90s. Calm, clever and inscrutable, politician Giulio Andreotti has been synonymous with power for decades. He has survived everything: electoral battles, terrorist massacres, loss of friends, slanderous accusations; but now certain repentant mobsters implicate him in the crimes of Cosa Nostra.

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    Cast

    • Toni ServilloGiulio Andreotti
    • Anna BonaiutoLivia Danese
    • Giulio BosettiEugenio Scalfari
    • Flavio BucciFranco Evangelisti
    • Carlo BuccirossoPaolo Cirino Pomicino
    • Giorgio ColangeliSalvo Lima
    • Alberto CraccoDon Mario Canciani
    • Piera Degli EspostiSignora Enea
    • Lorenzo GioielliMino Pecorelli
    • Paolo GraziosiAldo Moro

    Recommendations

    • 100

      Variety

      An intensely political film so wildly inventive and witty that it will become a touchstone for years to come, Il Divo is a masterpiece for maverick helmer-scribe Paolo Sorrentino.
    • 91

      Entertainment Weekly

      You need know nothing about Italian politics to completely enjoy the fantastical, Fellini-fied, tragi-comic, biographical fun-for-all Il Divo.
    • 90

      The Hollywood Reporter

      The frequently outrageous Il Divo follows the career of one of the best-known and most tenacious figures in Italian political history in a lively, sensory-overload, cartoonlike fashion reminiscent of "Amelie" and "Moulin Rouge." The fact that it's often over-the-top goes with saying, and is part of the fun.
    • 90

      Los Angeles Times

      Simultaneously exhilarating and confounding, dazzling and confusing, this is filmmaking of such verve and style that you likely won't care that you can't follow it completely.
    • 88

      New York Post

      The highly stylized, often outrageously funny biopic is anchored by a devastating performance by Toni Servillo as Andreotti, brilliantly capturing the gnomic politician's trademark slouch and inexpressive face.
    • 80

      Village Voice

      Il Divo plays like an elegantly ritualized black comedy.
    • 80

      The New York Times

      As operatic cinema, it ranks alongside the best of Martin Scorsese and Francis Ford Coppola.
    • 80

      The New Yorker

      Consume with great caution, and with joy.

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