The Score

    The Score
    2022

    Synopsis

    Mike and Troy, two small-time crooks, go to a roadside cafe for a meeting they hope to make a big profit from.

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    Cast

    • Will PoulterTroy
    • Naomi AckieGloria
    • Johnny FlynnMike
    • Lydia WilsonSally
    • Lucian MsamatiThe Photographer
    • Orla CoverleyAngel / Girl in Café
    • Danny MorganStation Attendant
    • Song-Hung ChangMan #1
    • Erol MehmetMan #2
    • Roger Ashton-GriffithsFrank

    Recommendations

    • 67

      The Film Stage

      Poulter and Ackie are so cute together with their acerbic flirtations.
    • 63

      Movie Nation

      The execution is novel, fascinating and just musically/romantically entertaining enough to not totally muck up the suspense that’s built in.
    • 60

      The New York Times

      The film is besotted by its own cleverness. The overwrought dialogue clashes with the rest of the movie’s naturalism. But Smyth’s very point is that ordinary folk have the right to strive for poetry — and his shaggy sincerity wins out in the end. With this promising ditty as his debut feature, the filmmaker introduces himself as a voice to be heard.
    • 60

      The Guardian

      The movie noodles along amiably, but in the cold light of day, its quirks begin to feel like flaws.
    • 60

      Time Out

      The Score doesn’t always strike the right notes, but it has its high points thanks to a simple, rewarding romantic arc.
    • 60

      The Irish Times

      The triumvirate of actors at the heart of the film are so committed and so good. The songs are pleasing. The script is clever. There’s a charming Aristilean intimacy about the fixed location. Conversely, there are too many ideas and ambitions here to fit into a low-budget picture.
    • 50

      RogerEbert.com

      The Score is an ambitious effort, a movie that is both a tense crime drama and a musical. Skillful attention has been paid to both elements by writer/director Malachi Smyth and a strong cast. But these elements are never integrated enough to become organic, and never come together to create a satisfying whole.
    • 40

      Little White Lies

      There’s a sense that Smyth’s writing only works in fits and starts, and all the fractured elements don’t ever quite fit together.