Synopsis
The definitive documentary on the history of nudity in feature films from the early silent days to the present, studying the changes in morality that led to the use of nudity in films while emphasizing the political, sociological and artistic changes that shaped that history. Skin will also study the gender inequality in presenting nude images in motion pictures and will follow the revolution that has created nude gender equality in feature films today.
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Cast
- Malcolm McDowellSelf
- Shannon ElizabethSelf
- Sean YoungSelf
- Traci LordsSelf
- Eric RobertsSelf
- Kristanna LokenSelf
- Pam GrierSelf
- Cerina VincentSelf
- Linda BlairSelf
- Diane FranklinSelf
- 80
Film Threat
If you are interested in the history of cinema, this is a very unique lens to look at it through. - 70
The Hollywood Reporter
The title may sound incendiary, something left over from the Russ Meyer era, but Danny Wolf’s Skin: A History of Nudity in the Movies turns out to be informative and even-handed as well as entertaining. - 70
Variety
Nudity, as “Skin” captures in its lively and disarming way, is the great leveler: the thing that makes us all gawk, no matter what the context. - 67
Consequence
Skin certainly has its blemishes, but it’s occasionally excited and secure in its willingness to build an off-the-cuff alt history for an under-discussed facet of filmmaking. - 63
Movie Nation
It’s thorough, almost academic textbook/video-accompanying-a-film-studies-class broad in its scope. - 63
RogerEbert.com
Considering that the entire movie is about pushing boundaries — for art, profit or both — it’s disappointing that director Danny Wolf tells the story in such a tediously prosaic way — though this, too, might be a crafty strategic move, as the many copyright owners being shrugged at here might have gotten a lot angrier had “Skin” been an exciting, innovative work, as opposed to a merely informative one. - 50
The Film Stage
Talking heads often go on long enough to distract from the overall thesis, and the runtime, while not particularly long, buries its own arc between the then and the now.