Offseason

    Offseason
    2022

    Synopsis

    Upon receiving a mysterious letter that her mother's grave has been vandalized, Marie travels to the desolate island town where she's buried. Just as she arrives, the island closes for the season, leaving Marie trapped in a nightmare.

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    Cast

    • Jocelin DonahueMarie Aldrich
    • Joe SwanbergGeorge Darrow
    • Richard BrakeThe Bridge Man
    • Melora WaltersAva Aldrich
    • Jeremy GardnerThe Fisherman
    • Jonathan MedinaMr. Clayton, Esq
    • Eliza ShinMs. Gardner, Esq
    • Jess VarleyYoung Woman
    • Andrew VilarYoung Man
    • Larry FessendenH. Grierson

    Recommendations

    • 70

      Slashfilm

      It's rough around the edges when heavy special effects are required, yet proficient in shanty-shady tones and detectable darkness that hides secrets from one sequence to the next. It's an experience that lulls you in with hospitality and scored choral chants, plunging its stinger once you've become helpless beyond defense.
    • 67

      Consequence

      It’s worth watching for its disorienting and intoxicating atmosphere, but there’s not much narrative substance beyond that.
    • 67

      The Film Stage

      Maybe it doesn’t stimulate your intellect as much as other recent genre fare, but it definitely offers an engrossing setting through which to travel for 80 minutes.
    • 67

      Austin Chronicle

      Chilling and unsettling, intimate yet monstrously vast in its cosmic horrors, Offseason is as dangerously welcoming as the island itself.
    • 63

      Movie Nation

      The occasional blood-curdling scream notwithstanding, Offseason is more chilling and gloomy than frightening.
    • 60

      Film Threat

      Despite the many things it does right, atmosphere and casting, mostly, it doesn’t give you any reason to remember it.
    • 60

      Variety

      Though thinly conceived overall with not much philosophy to back its daunting visuals, Offseason still offers some genuinely spine-tingling images and sounds that will keep midnight audiences on their toes until the end.
    • 50

      Slant Magazine

      Keating’s film forgets the cardinal rule of good pastiche: that if you’re not building something new from familiar pieces then you’re just regurgitating old ideas.