Lorna's Silence

    Lorna's Silence
    2008

    Synopsis

    Lorna is a young Albanian woman in a marriage of convenience with Claudy, a heroin addict. Just as Lorna is about to be granted Belgian citizenship, Claudy finds the strength to detox; this presents a problem not only for Lorna, but for the criminal who brokered the deal.

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    Cast

    • Arta DobroshiLorna
    • Jérémie RenierClaudy
    • Fabrizio RongioneFabio
    • Alban UkajSokol
    • Morgan MarinneSpirou
    • Anton YakovlevAndrei
    • Olivier GourmetThe Policeman
    • Grigori ManoukovKostia
    • Mireille BaillyMonique Sobel
    • Serge LarivièrePharmacist

    Recommendations

    • 100

      New York Post

      The androgynous Dobroshi is in nearly every scene. She has an exceptional screen presence that brings authority to her portrayal of a woman seeking redemption. As for the Dardennes, they prove yet again that nobody does human frailty the way they do.
    • 100

      Los Angeles Times

      A gritty, deceptively low-key, no-fuss, no-frills movie of consistent originality and surprise in which suspense arises straight up from the heroine's evolving character.
    • 91

      Entertainment Weekly

      A stunning study of one desperate woman's conscience.
    • 90

      The New York Times

      Lorna's Silence is engrossing and powerful, which may be just another way of saying it's a film by the Dardenne brothers. If it falls a bit short of the standards of their best work, that is only because it is not quite a masterpiece.
    • 83

      The A.V. Club

      Lorna's Silence feels like a refinement, even a repetition, of earlier themes. But the brothers are repeating themselves at such a high level that the redundancies are more than welcome.
    • 80

      Variety

      The film doesn't pack the same cumulative wallop as the brothers' earlier work, but its low-key artistry, immaculate construction and fine performance by relative newcomer Arta Dobroshi should rouse the usual fest acclaim and arthouse interest.
    • 80

      Wall Street Journal

      Like earlier Dardenne films, Lorna’s Silence is naturalistic, yet this one, beautifully shot in 35 mm film by Alain Marcoen, achieves a poetry of bereftness.
    • 80

      Slate

      Something between a love story and a religious morality tale. The hauntingly ambiguous last scene, in which Lorna finds a place of temporary respite from the economic forces that have determined so much of her life, may be the saddest happy ending I've ever seen.

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