Rent-A-Pal

    Rent-A-Pal
    2020

    Synopsis

    Set in 1990, a lonely bachelor named David searches for an escape from the day-to-day drudgery of caring for his aging mother. While seeking a partner through a video dating service, he discovers a strange VHS tape called Rent-A-Pal. Hosted by the charming and charismatic Andy, the tape offers him much-needed company, compassion, and friendship. But Andy's friendship comes at a cost, and David desperately struggles to afford the price of admission.

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      Cast

      • Brian Landis FolkinsDavid
      • Wil WheatonAndy
      • Kathleen BradyLucille
      • Amy RutledgeLisa
      • Adrian EgolfDiane
      • Olivia HendrickSusan
      • Karin CarrCarla
      • Sara WoodyardMary
      • Josh StaabCamera Guy
      • Luke SorgeVideo Rendezvous Customer

      Recommendations

      • 88

        RogerEbert.com

        For all the nostalgia that comes with seeing David pop in a VHS tape, the movie’s time period allows Stevenson to focus our attention on the horror emitting from just one screen.
      • 80

        Paste Magazine

        Wheaton is the film’s first exceptional element. The second is Stevenson’s restraint.
      • 70

        The Hollywood Reporter

        What makes the film work as well as it does, at least up to a point, are the perfectly calibrated performances. Folkins is superb as the socially maladroit Andy, making his character sympathetic in his genuine satisfaction in being a caretaker despite the personal toll it enacts. And Wheaton, whose entire performance consists of sitting in a chair and talking directly to the camera, uses his innate likeability to at first disarming and then chillingly creepy effect.
      • 70

        Film Threat

        Wil Wheaton is the true star of this film. His creepy therapist/creepy children’s TV show host take on his character was exactly what Rent-A-Pal needed.
      • 58

        The A.V. Club

        Rent-A-Pal goes full-tilt mayhem in its final act, shattering its carefully calibrated dread in a race to make an already belabored point: that technological advancements are to be questioned, and there is no substitute for human connection.
      • 50

        The New York Times

        Eventually the movie paints itself into a corner then sinks into grisly sludge. Stevenson’s technical skill can’t save him from a trite worldview.
      • 42

        The Playlist

        As the film becomes more of a conventional horror flick, it also leaves unexplored the darker realities of these contemporary fears for easier, gorier thrills.