A Good Old Fashioned Orgy

    A Good Old Fashioned Orgy
    2011

    Synopsis

    A group of 30-year-olds who have been friends since high school attempt to throw an end-of-summer orgy.

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    Cast

    • Jason SudeikisEric Keppler
    • Leslie BibbKelly
    • Lindsay SloaneLaura
    • Lake BellAlison Lobel
    • Michelle BorthSue Plummer
    • Nick KrollAdam Richman
    • Tyler LabineMike McCrudden
    • Angela SarafyanWillow Talbot
    • Martin StarrDoug Duquez
    • Rhys CoiroMarcus

    Recommendations

    • 80

      Time Out

      All of this is way smarter than it needs to be - and it's only the prologue to the main event, which explodes the film into awkwardness but a weird kind of triumph, too.
    • 70

      Variety

      Despite the preposterous, kissing-your-sister premise of A Good Old-Fashioned Orgy, a very likable cast and some terrific sketch-style comedy should please (if not deeply satisfy the lustful yearnings of) audiences lured by the film's title.
    • 70

      Village Voice

      Is the world of the film ruled by its high concept, its low comedy, its demographic credibility, or its romantic screwball realism? Ultimately, Orgy's refusal to be any one thing - including good or bad - forms a kind of epochal statement.
    • 67

      Entertainment Weekly

      In essence, this is an indie Adam Sandler comedy, and when its heroes are psyching themselves up for the big event, it's kind of funny. But the orgy doesn't make you laugh - it makes you cringe.
    • 58

      The A.V. Club

      A Good Old Fashioned Orgy takes its cues from Sudeikis' character and performance: It's randy, good-natured, moderately amusing, and charming in a glib, facile way.
    • 50

      The Hollywood Reporter

      Earns its R but may leave audiences wanting more.
    • 40

      Austin Chronicle

      "Bob & Carol & Ted & Alice" meets a considerably tamed Van Wilder for a mediocre romp in the Hamptons.
    • 38

      Slant Magazine

      Avoids funny one-liners like the plague, choosing in their place to deliver only squishy faux-outrageousness that, like Sudeikis's one-note stud, exudes an unwelcome air of self-satisfaction.