London Fields

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    London Fields
    2018

    Synopsis

    Clairvoyant femme fatale, Nicola Six has been living with a dark premonition of her impending death by murder. She begins a tangled love affair with three uniquely different men — one of whom she knows will be her murderer.

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    Cast

    • Amber HeardNicola Six
    • Theo JamesGuy Clinch
    • Jim SturgessKeith Talent
    • Billy Bob ThorntonSamson Young
    • Johnny DeppChick Purchase
    • Cara DelevingneKath Talent
    • Jaimie AlexanderHope
    • Jason IsaacsMark Asprey
    • Lily ColeTrish Shirt
    • Gemma ChanPetronella

    Recommendations

    • 50

      Screen Daily

      London Fields overflows with interesting ideas but they are frequently buried under lurid fantasy sequences, blunt-edged satire and the sense that it is much more amused by its own wild daring than we are.
    • 42

      The Playlist

      Buried underneath the glop are interesting notions on reality, creation, and the nature of death. And thanks to its aesthetic, it's at least a very beautiful catastrophe.
    • 40

      The Guardian

      Novelistic, rich and awfully silly, London Fields – like Ben Wheatley’s take on High Rise - is a long-awaited adaptation of a popular and gloomily prophetic book, that seems unnecessary.
    • 40

      The Telegraph

      Heard, who certainly has the requisite physical allure for the part, puts in a decent enough turn as the enigmatic Six but, like her on-screen character, can seemingly do the nothing to prevent the brutal murder, either of herself, or of Amis’s bestseller.
    • 38

      Movie Nation

      It’s a neo-noir murder mystery capturing Heard at peak femme fatale in a tale observed, manipulated and told by a struggling writer (Billy Bob Thornton) for “the chaos.” “Chaos” doesn’t quite sum up the movie. But almost.
    • 30

      Variety

      [A] misbegotten mess.
    • 20

      The Hollywood Reporter

      So comprehensively does the film fail to represent the labyrinthian literary wonders of Amis’ book that it scarcely seems worthwhile to detail its universal shortcomings.
    • 20

      Los Angeles Times

      The aggressively awful London Fields is, once again, proof that not every successful novel should become a movie.

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    • Ikonoblast