Synopsis
After taking a bullet to the head, Salander is under close supervision in a hospital and is set to face trial for attempted murder on her eventual release. With the help of journalist Mikael Blomkvist and his researchers at Millennium magazine, Salander must prove her innocence. In doing this she plays against powerful enemies and her own past.
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Cast
- Michael NyqvistMikael Blomkvist
- Noomi RapaceLisbeth Salander
- Lena EndreErika Berger
- Annika HallinAnnika Giannini
- Jacob ErickssonChrister Malm
- Sofia LedarpMalin Erikson
- Anders Ahlbom RosendahlPeter Teleborian
- Micke SpreitzRonald Niedermann
- Georgi StaykovAlexander Zalachenko
- Mirja TurestedtMonica Figuerola
Recommendations
- 83
Tampa Bay Times
For the initiated, however, Alfredson weaves a tidy web from loose ends left dangling. - 80
The Hollywood Reporter
The movie features a great finish, where three movies' worth of subplots and characters dovetail into a breathtaking climax and final confrontation that is positively soul satisfying. - 75
ReelViews
An entertaining thriller. That said, it's the weakest of the films, falling a length or two behind "The Girl Who Played with Fire," and considerably more than that with respect to "The Girl with the Dragon Tattoo." - 75
Chicago Sun-Times
So what has happened is that this uptight, ferocious, little gamin Lisbeth has won our hearts, and we care about these stories and think there had better be more. - 70
Variety
Benefits from edge-of-your-seat pacing despite a conspicuous lack of action. - 70
Chicago Reader
In place of romance there are numerous talky espionage scenes that make the movie feel like one of those labyrinthine cold war pictures from the 60s. - 50
New York Magazine (Vulture)
Larsson is renowned for his attention to marginal details, which gives his prose a rambling, one-thing-after-another pace that many readers find soothing. Onscreen, the lack of acceleration makes for one of those long Scandinavian winter nights. - 50
Village Voice
Like the first two Millennium movies, this final installment feels thoughtlessly put together, its script unpruned and rushed through, all to capitalize on the staggering worldwide popularity of its dead author.
