Synopsis
Four couples reunite for their annual vacation in order to socialize and to spend time analyzing their marriages. Their intimate week in the Bahamas is disrupted by the arrival of an ex-husband determined to win back his recently remarried wife.
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Cast
- Tyler PerryTerry
- Janet JacksonPatricia
- Jill ScottSheila
- Sharon LealDianne
- Malik YobaGavin
- Richard T. JonesMike
- Tasha SmithAngela
- Michael Jai WhiteMarcus
- Louis Gossett Jr.Porter
- Cicely TysonOla
Recommendations
- 63
Boston Globe
If Perry’s cinematic vision remains less than 20/20, his sagacity gets stronger by the movie. - 60
Variety
Married offers a positive, if melodramatically heightened, portrait of upper-middle-class African-American life, one broadly appealing enough to satisfy even the Nancy Meyers set, if only they'd give it a chance. - 60
The Hollywood Reporter
Displaying his usual mixture of broad, sitcom-style humor and soapy melodramatics, it's an entertaining if hokey effort that his target audience will eat up. - 50
New York Daily News
You won’t find anything new here: the sequel is basically a retread of the original, in which Scott delivers the strongest emotional moments, while an amusingly over-the-top Smith perpetually breaks the tension. - 50
Chicago Reader
Tyler Perry grounds this sequel to "Why Did I Get Married?" (2007) in his trademark blend of comedy, soap opera, and down-home southern sentiment, though he lets up a little on the moral proselytizing, which aids the digestion considerably. - 50
The New York Times
Mr. Perry himself plays Terry, the most reserved and mature of the group. At the risk of being condescending, it has to be said that if he had put on his dress and wig and shown up as Madea the movie might have been funnier. - 50
Washington Post
Plays like an empty but diverting beach read. Your brain recognizes that the dialogue, for example, doesn't come from any place that remotely resembles relationship reality. - 50
Boxoffice Magazine
Easygoing effort at times feels over-baked and too full of Perry’s now-trademarked melodramatics, but nevertheless should hit squarely at the target audience of the older African-American women that can’t seem to get enough of what this director dishes out.
