R

    R
    2010

    Synopsis

    The R of the title stands for the young protagonist, Rune, fearlessly played by Pilou Asbæk. Imprisoned for violent assault, he's a cocky, good-looking young man placed in the hardcore ward, where his survival depends on quickly learning the prison's parallel world of rules, honor, and obligations. R also stands for Rachid, a young Muslim prisoner who becomes Rune's friend and accomplice, defying the rigid racial stratifications among the inmates.

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    Cast

    • Pilou AsbækRune
    • Dulfi Al-JabouriRashid
    • Roland MøllerMureren
    • Jacob GredstedCarsten
    • Omar ShargawiBazhir
    • Kim WintherKim
    • Jorg BeutnagelBjørn
    • Sune NørgaardSune
    • Claus PoulsenClaus
    • Helmuth KristensenHelmuth

    Recommendations

    • 80

      Time Out

      This unflinching parable brings the hammer down on its cinematic brethren's fetishization of cell-block Rockefellers. R's final shot says it all: The house wins. The house always wins.
    • 75

      Slant Magazine

      If the trajectory of R foreshadows tragedy early and often (what prison film doesn't?), the filmmakers manage to infuse quiet moments of reflection and panic into each man's traumatic experience.
    • 75

      New York Post

      If you were among the many who thought highly of "A Prophet," the French prison drama that played here last year, you'll want to see the brutally realistic Danish thriller R.
    • 70

      The New York Times

      Isn't as hellish as the situation behind bars is portrayed in American movies, some of which are so gory they qualify as prison porn. But it is awful enough.
    • 60

      Variety

      More pathetic than sympathetic, the young protags are not romanticized or made heroic. While this suits the style of the picture, which never conforms to the melodramatic conventions and stock characters of the prison genre, it also works against audience identification.
    • 50

      Village Voice

      Following "Prophet" director Jacques Audiard's lead, Lindholm and Noer attempt to make up in raw emotion what their film lacks in context, an approach good for a surprising amount of mileage, until the project finally chokes on its own inevitable nihilism.