The Armstrong Lie

    The Armstrong Lie
    2013

    Synopsis

    In 2009, Alex Gibney was hired to make a film about Lance Armstrong’s comeback to cycling. The project was shelved when the doping scandal erupted, and re-opened after Armstrong’s confession. The Armstrong Lie picks up in 2013 and presents a riveting, insider's view of the unraveling of one of the most extraordinary stories in the history of sports. As Lance Armstrong says himself, “I didn’t live a lot of lies, but I lived one big one.”

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    Cast

    • Lance ArmstrongHimself
    • Betsy AndreuHerself
    • Frankie AndreuHimself
    • Reed AlbergottiHimself
    • Johan BruyneelHimself
    • Daniel CoyleHimself
    • Michele FerrariHimself
    • Michael BloombergHimself (archive footage)
    • Anderson CooperHimself (archive footage)
    • Bill ClintonHimself (archive footage)

    Recommendations

    • 90

      Variety

      Director Alex Gibney delivers not just a detailed, full-access account of his subject, in all his defiance, hubris and tentative self-reckoning, but also a layered inquiry into the culture of competitiveness, celebrity, moral relativism and hypocrisy that helped enable and sustain his deception.
    • 90

      Village Voice

      To use a phrase from the film, The Armstrong Lie is a "myth-buster." It's wholly necessary, brilliantly executed, and a complete bummer.
    • 80

      The Guardian

      Succeeds as a probing look into the mechanics of an epic lie, and because of the emotion at its heart.
    • 70

      The Hollywood Reporter

      A quite absorbing but never riveting or revelatory overview of Armstrong’s career and testy personality.
    • 70

      New York Magazine (Vulture)

      The chronology is confusing at times, but the film is never not fascinating.
    • 67

      The Playlist

      For all its flaws, the film offers as compelling and fair a summary of the case and the man for those less well-versed in the tale as you could ask for from a documentary.
    • 63

      Slant Magazine

      The film can't entirely avoid the feeling of a less-productive score-settling hit piece, as if Alex Gibney was making this film merely to stick it to the subject that screwed him big time.
    • 60

      The Telegraph

      The film leaves you enlightened and disillusioned, but still furious at Armstrong, who seems to have drawn the conclusion that he is now a tragic hero.

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    • tanziteapot
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