3, 2, 1... Frankie Go Boom

    3, 2, 1... Frankie Go Boom
    2012

    Synopsis

    Frank Bartlett has been tortured, embarrassed, and humiliated by his brother Bruce — usually on film — his entire life. Now that Bruce is finally off drugs and has turned his life around, things should be different. They are not.

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    Cast

    • Charlie HunnamFrankie
    • Chris O'DowdBruce
    • Lizzy CaplanLassie
    • Ron PerlmanPhyllis
    • Chris NothJack
    • Whitney CummingsClaudia
    • Nora DunnKaren
    • Sam AndersonChris
    • Kate LuybenDharma
    • Adam PallyBrandon

    Recommendations

    • 100

      The New York Times

      A vibrantly vulgar comedy that never hangs around to admire its own cleverness.
    • 70

      Arizona Republic

      Surprisingly, character actor Sam Anderson winds up stealing a lot of the film as Bruce and Frank's dad. He can take a line as innocuous as "We don't have cars right now. Bruce stole them for drugs" and turn it into something hilarious.
    • 63

      Slant Magazine

      The film never really goes soft, as Jordan Roberts never loses sight of the fact that these toxic nincompoops are authentically bad for one another.
    • 50

      The A.V. Club

      Everyone plays against type in 3, 2, 1… Frankie Go Boom, none more so than Ron Perlman, who has a small role as a post-op transsexual hacker.
    • 40

      Time Out

      Lovers of the TV biker drama may find pleasure in the duo's surreal scenes together, but everyone else will likely view this story about a writer (Hunnam), his film-obsessed drug-addict brother (Chris O'Dowd) and a viral amateur-porn movie as one limp farce.
    • 40

      Village Voice

      Less inept than its worst-of-the-year title suggests, 3, 2, 1 . . . Frankie Go Boom nonetheless proves too ramshackle and aimless to ever achieve true absurdity.
    • 38

      New York Post

      A raunchy, sporadically funny comedy.
    • 30

      NPR

      Tragically unfunny, Frankie is occasionally elevated by some of its gifted and game cast, but the film's nasty, comedically incoherent script limits its potential.