As I Lay Dying

    As I Lay Dying
    2013

    Synopsis

    Strife and disaster befall a poor Mississippi family during a two-day trip by horse and wagon to bury their deceased matriarch.

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    Cast

    • James FrancoDarl Bundren
    • Danny McBrideVernon Tull
    • Logan Marshall-GreenJewel
    • Ahna O'ReillyDewey Dell
    • Jim ParrackCash
    • Tim Blake NelsonAnse
    • Beth GrantAddie Bundren
    • Jennifer Kristen HowellCora Tull
    • Brady PermenterVardaman Bundren
    • Natalie MintonKate Tull

    Recommendations

    • 83

      IndieWire

      The film seems to have been made to suggest something of Faulkner's style in a cinematic medium, and it's certainly laudable that there have been very few concessions to the marketability of a project like this.
    • 70

      The Hollywood Reporter

      Franco, employing diverse cinematic techniques from split screen (mostly early on) to direct-to-camera address, makes the Bundrens’ time of trial more immediately coherent than it is on the page without disrespecting Faulkner’s oblique style.
    • 63

      Slant Magazine

      James Franco's readiness in approaching famously abstract source material certainly doesn't translate well into his directorial formalism, or, more appropriately, lack of formalism.
    • 60

      The Guardian

      Franco's As I Lay Dying is a worthwhile movie, approached in an intelligent and creative spirit. The ensemble work from the actors is generally very strong, with a star turn from Nelson as the prematurely aged patriarch, and the story is presented lucidly and confidently.
    • 60

      Variety

      Franco offers up a competently acted, technically adequate Cliff Notes take on Faulkner’s narratively refracted tale of dirt-poor Mississippi folk in mourning.
    • 50

      The Playlist

      As I Lay Dying is another Franco lark that is more of an experiment with form than a fully realized movie. One almost gets the sense that Franco is working out ideas with As I Lay Dying, with the goal of creating a cohesive film as a secondary ambition to simply capturing the feel of Faulkner's prose.
    • 50

      The A.V. Club

      Like Franco’s other directorial efforts, it ends up coming across as an academic art object, somewhere halfway between a graduate thesis and a video installation—interesting, but only in context.
    • 40

      Time Out

      They quickly smother whatever greatness was inherent in the material. Faulkner’s vivid, tragic and tender world is nowhere to be found here, and it's a deal breaker by any other name.

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