Why Stop Now?

    Why Stop Now?
    2012

    Synopsis

    When a college piano prodigy tries to check his mother into rehab, he is taken hostage by her drug dealer and swept along on a wild adventure.

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      Cast

      • Jesse EisenbergEli
      • Melissa LeoPenny
      • Tracy MorganSprinkles
      • Isiah Whitlock Jr.Black
      • Sarah RamosChloe
      • Emma Rayne LyleNicole
      • Stephanie MarchTrish

      Recommendations

      • 88

        Chicago Sun-Times

        Why Stop Now takes large themes much manhandled as movie cliches, and treats them with care and respect. It likes the characters. So did I.
      • 67

        The Playlist

        It's well-acted, certainly, though these performances belong in a film with sharper pacing, one that breathes easily. But, this directorial debut from Phil Dorling and Ron Nyswaner breathes like a frequent smoker: in fits and starts, peppered with coughs and dry heaves.
      • 50

        The A.V. Club

        Slips into the no-man's land between screwball and melodrama, squandering both the comic opportunities of an irrational search for drugs and the raw desperation of a piano prodigy who's held captive by his mother's dysfunction.
      • 50

        New York Post

        Acquires a little vigor and some fun from Tracy Morgan as a friendly drug dealer who lives with his mom.
      • 40

        The New York Times

        Once Why Stop Now? has exhausted its bag of tricks, there is a screeching of brakes as it approaches the edge of the cliff. Having expended all that stamina, the film collapses from exhaustion and settles for an abrupt, feel-good ending that is as perfunctory as it is preposterous.
      • 40

        Los Angeles Times

        Why Stop Now? feels trapped in the limbo between comedy and drama where many indies gamely venture, but from which few emerge with any resonance.
      • 38

        Slant Magazine

        Shifting between wacky situation comedy and somber familial drama, Why Stop Now? isn't invested enough in either mode to convincingly pull off its genre-hopping ambitions.
      • 20

        Time Out

        Nothing - script, performances, comedy, drama - works in the slightest. To answer the title: Where do we start?

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      • Elliott