Synopsis
A violent gang enlists the help of a hypnotherapist in an attempt to locate a painting which somehow vanished in the middle of a heist.
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Cast
- James McAvoySimon
- Vincent CasselFranck
- Rosario DawsonElizabeth
- Danny SapaniNate
- Matt CrossDominic
- Wahab SheikhRiz
- Mark PoltimoreFrancis Lemaitre
- Tuppence MiddletonYoung Woman in Red Car
- Simon KunzSurgeon
- Michael ShaefferSecurity Guard #1
Recommendations
- 91
The Playlist
The film's not merely content with being a twisty psycho-thriller. Boyle and Hodge expertly tweak and tinker with your sympathies, and the characters you initially peg as heroes and villains may not be in the same place by the time things wrap up. - 83
IndieWire
Boyle's filmmaking style has a marvelous rhythm that weaves pop sensibilities into fluid and persistently exciting narrative experiences; he shakes these ingredients like colored sand in a jar, leading a fascinating degree of discombobulation. - 80
Total Film
Sprinting to the edge of preposterousness and back, this deliriously entertaining day-glo noir of fried brains and blown fuses denotes a director at the top of his game. - 80
Empire
Though it rings ever so slightly hollow as cool shades into callousness, this exercise in sexy suspense and brain-scrambling mystery is a dazzling, absorbing entertainment which shows off Danny Boyle’s mastery of complex storytelling and black, black humour. - 75
Slant Magazine
The film draws out Danny Boyle's less dazzling commercial side, not to mention his penchant for whirling excess. - 75
McClatchy-Tribune News Service
For all its plot trickery, mind science and relationship square dancing, Trance doesn’t have the emotional tug or technical pizzaz of Boyle’s best films – “Slumdog Millionaire,” “Trainspotting” or “127 Hours.” - 70
Variety
A trippy variation on the dream-within-a-dream movie, Boyle’s return-to-form crimer constantly challenges what audiences think they know, but neglects to establish why they should care. - 50
The Hollywood Reporter
Danny Boyle has great and plainly evident fun adding twists and curves and tunnels and endless style to his modern London noir Trance, but he makes so many left turns that the film turns in on itself rather than going anywhere.
