Synopsis
While traveling for work in a city far from their homes, a novelist and a corporate accountant find themselves in bed together. Although she’s married, and he’s seeing someone, their intense attraction turns a one-night stand into an unexpected relationship and a respite from the obligations of daily life. Through a series of moments – some profound, some silly, some intensely intimate – we see a portrait of an evolving relationship that could become the most significant one of their lives.
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Cast
- Chris MessinaMan
- Marin IrelandWoman
- Robert DeamerBartender
- Anne H. WilsonBar Patron
- Yaitza RiveraBar Patron
- Paul DayBar Patron
- Marine ButonBar Patron
- Matthew L. OlivaBar Patron
- Brett CollierBar Patron
- Justin StevensonHotel Guest
Recommendations
- 83
The A.V. Club
In its own small way, by documenting the petty panic of two people who want to be together but are otherwise entangled, 28 Hotel Rooms is often masterful. - 70
Los Angeles Times
Despite the familiar setup, this is no "Same Time, Next Year," what with its hot-sheets trysts, full-frontal flashes and frank language. But the brief - sometimes very brief - encounters glimpsed here between the film's leads and sole characters (billed only as "Man" and "Woman") are inventive and telling. - 60
Time Out
Messina and Ireland thrive under that gaze, and dismaying affectations aside-the characters go needlessly unnamed - the movie articulates the enduring allure of a love defined, and heightened, by restrictions. - 58
Portland Oregonian
The movie's conceit grows a bit stale even with a short running time, and ultimately the whole thing feels more like an acting workshop than a full-fledged human story. - 50
The New York Times
At the very least 28 Hotel Rooms, the first feature written and directed by Matt Ross, is an impressively executed acting exercise for Chris Messina and Marin Ireland. - 40
Variety
Lacking much dramatic or intellectual stimulation, it's ultimately a limp effort. - 40
Village Voice
Not showing us every aspect of their lives is a fine, even novel, approach, but merely telling us about them instead feels like a fruitless middle ground. - 40
New York Daily News
While Messina and Ireland are fine company, writer-director Matt Ross' conceit tires you out.
