Synopsis
Louise meets Nathan, her dreams resurface. It's also the story of her ailing brother, their mother, and the destiny of a leading family of wealthy Italian industrialists. The story of a family falling apart, a world coming to an end and love beginning.
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Cast
- Valeria Bruni TedeschiLouise Rossi Levi
- Louis GarrelNathan
- Filippo TimiLudovic
- Marisa BoriniThe Mother
- Xavier BeauvoisSerge
- Céline SalletteJeanne
- Pippo DelbonoThe Priest
- André WilmsNathan's Father
- Silvio OrlandoThe Italian Mayor
- Marie RivièreNathan's Mother
- 60
Time Out London
It’s Bruni Tedeschi’s sure grasp of the milieu – and in particular her acute understanding of the specific foibles of a rich, arty but out-of-touch class nostalgic for an earlier era – that makes the film a modest but surprisingly substantial delight. - 60
Variety
Bruni Tedeschi holds all of pic’s myriad tangents in a delicate balance, no single one ever rising to the fore, no pressure felt to wrap everything — or anything — up in a tidy package at the end. - 60
Time Out London
It’s Bruni Tedeschi’s sure grasp of the milieu – and in particular her acute understanding of the specific foibles of a rich, arty but out-of-touch class nostalgic for an earlier era – that makes the film a modest but surprisingly substantial delight. - 60
Variety
Bruni Tedeschi holds all of pic’s myriad tangents in a delicate balance, no single one ever rising to the fore, no pressure felt to wrap everything — or anything — up in a tidy package at the end. - 58
The Playlist
For every moment of comedy that lands or drama that touches a nerve, there are ten of “why the bloody hell should I bloody care?” or “cry me a river, you had to sell your Brueghel.” - 58
The Playlist
For every moment of comedy that lands or drama that touches a nerve, there are ten of “why the bloody hell should I bloody care?” or “cry me a river, you had to sell your Brueghel.” - 30
The Hollywood Reporter
The jittery storytelling and indifference toward illuminating character or plot detail would already be tiresome even without the gratingly actor-y performances, the director herself being the main offender. - 30
The Hollywood Reporter
The jittery storytelling and indifference toward illuminating character or plot detail would already be tiresome even without the gratingly actor-y performances, the director herself being the main offender.