Goodbye to Language

    Goodbye to Language
    2014

    Synopsis

    A silent, surreal parallel between a couple and a dog.

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    Cast

    • Jessica EricksonMary Shelley
    • Héloïse GodetJosette
    • Zoé BruneauIvitch
    • Kamel AbdeliGédéon
    • Richard ChevallierMarcus
    • Alexandre Païta
    • Christian GregoriDavidson
    • Marie Ruchat
    • Jeremy Zampatti
    • Jean-Luc GodardNarrator (voice)

    Recommendations

    • 100

      Variety

      As in all Godard’s best work, precise meaning is subsumed in an exhilarating tide of sound and light, impish provocations and inspired philosophizing.
    • 100

      Slant Magazine

      Cinema is a vernacular of domination, and quaking with revelations both formal and personal, the film attests that Godard has spent his career apologizing for it.
    • 90

      The Dissolve

      For all of its provocatively cerebral ideas, the prevailing truth is that Goodbye To Language is actually a great deal of fun—not just to think about, but also to experience. It’s “Godard: The Ride.”
    • 90

      The New York Times

      It is baffling and beautiful, a flurry of musical and literary snippets arrayed in counterpoint to a series of brilliantly colored and hauntingly evocative pictures.
    • 83

      IndieWire

      For Godard junkies Goodbye to Language is rich with Godard's temperament—and thus an enjoyable provocation, even if it doesn't all add up. But what Godard movie truly does?
    • 80

      Time Out

      It’s nice to see this great filmmaker sculpting something that feels genuinely revelatory. That’s not to say that the 3-D Goodbye to Language is always an easy sit.
    • 75

      The Playlist

      Godard's full length take on 3D is bold, brilliant and exactly what the format needed — a iconoclast taking it and making his own, and almost every time he frames a shot in three dimensions, from opening credits to the final moments, there's something attention-grabbing going on.
    • 60

      The Guardian

      It is an uncompromising and exasperating 70-minute cine-collage placed before us on a take-it-or-leave-it basis, composed of fragments of ideas, shards of disillusionment.

    Loved by

    • Phase