Dark Places

    Dark Places
    2015

    Synopsis

    A woman who survived the brutal killing of her family as a child is forced to confront the events of that day.

    Your Movie Library

    Cast

    • Charlize TheronLibby Day
    • Nicholas HoultLyle Wirth
    • Chloë Grace MoretzYoung Diondra Wertzner
    • Christina HendricksPatty Day
    • Tye SheridanYoung Ben Day
    • Corey StollBen Day
    • Andrea RothDiondra Wertzner
    • Sterling JerinsYoung Libby Day
    • Shannon KookYoung Trey Teepano
    • Drea de MatteoKrissi Cates

    Recommendations

    • 70

      Screen Daily

      Slouching Theron is absolutely convincing as a self-loathing haunted soul with zero ambition. As the town’s “rich slut,” Chloe Grace Moretz gives yet another pitch-perfect performance. Both actresses elevate the material, making a somewhat far-fetched story both believable and enjoyable.
    • 67

      The A.V. Club

      Aside from the A-list cast, there isn’t much to differentiate Dark Places from an especially grim TV movie.
    • 60

      The Hollywood Reporter

      This plot-heavy suspense flick loses some of the book’s originality in translation while failing to channel its sense of Midwestern malaise. But it keeps the guessing game going long enough to compensate for some otherwise shallow characterizations, while Theron offers up an earnest and downbeat turn that says a lot with little dialogue
    • 60

      Variety

      As heroines go, it’s refreshing to get one as complex as this: When psychologically scarred female characters do turn up in thrillers, they’re usually little more than shivering victims who set a group of male cops in motion, but here, Libby does her own detective work, while Hendricks lends star power to the flashback scenes.
    • 58

      Entertainment Weekly

      It’s never pushed far enough. Instead, Dark Places just becomes an overstuffed, low-simmer potboiler with too many improbable detours and overly convenient twists.
    • 50

      The Playlist

      Without the spiky irony of Flynn's first-person writing (the enjoyable Jim Thompson-esque noirisms that pepper the novel, like "I have a meanness in me, real as an organ" occur only rarely) Paquet-Brenner shears the text of any richness, to have it unfold instead in a relentlessly grim manner, less intriguing and evocative than straight-up dour.
    • 40

      Village Voice

      [Paquet-Brenner] squanders Dark Places' icky setup for a rote investigation to find the real killer, a revelation greeted not with a "What?!" but with a "Whatever."
    • 25

      Slant Magazine

      The payoff is a huge and telling visual howler, summarizing the entire plot with a blithe indifference that will inevitably mirror the audience's.

    Seen by

    • ghostradio
    • Pignat
    • Viridie
    • Ninjula
    • Ikonoblast
    • MMind
    • Metalshell