Tip Top

    Tip Top
    2013

    Synopsis

    Two policewomen from Internal Affairs arrive in a provincial precinct to investigate the death of an Algerian woman who was an informer. One punches, the other eyes, tip top.

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      Cast

      • Isabelle HuppertEsther Lafarge
      • Sandrine KiberlainSally Marinelli
      • François DamiensRobert Mendès
      • Karole RocherVirginie
      • Aymen SaïdiYounès
      • François NégretNadal
      • Samy NaceriGérald
      • Elie LisonRozynski
      • Saïda BekkoucheSaïda Bekkouche
      • Issam AkelLe voisin arabe

      Recommendations

      • 100

        Village Voice

        Serge Bozon's smart, surprising, marvelously realized French crime-and-sex police drama/comedy distinguishes itself with trenchant plotting, inspired framing, and performances that honor true human feeling even as they lunge into the screwball.
      • 80

        Variety

        An utterly brazen mix of screwball comedy, film noir and sharp social commentary that hits its own strange bullseye more often than not, Bozon’s third full-length feature (and first since 2007’s WWI musical, “La France”) benefits immeasurably from actors willing to go as far out on a limb as their intrepid director.
      • 75

        Slant Magazine

        Instead of finding one consistent tone and sticking to it, Serge Bozon allows the wildly hilarious and the grimly serious to uneasily coexist, exulting in the resultant clash.
      • 60

        The Hollywood Reporter

        Shot in precisely composed frames, with recurring visual motifs and an eye-pleasing color palette that accentuates blue hues, Tip Top is commendably ambitious in its Godardian attempts to deconstruct the police thriller format, but it's only partially successful.
      • 58

        The A.V. Club

        Confirms director and co-screenwriter Serge Bozon as one of French cinema’s true oddballs.
      • 40

        The Guardian

        There's so much thrown into Tip Top that nothing stands out.
      • 40

        The New York Times

        The humor of this situation — or of any of the movie’s strained wackiness — doesn’t particularly translate. It also does little to illuminate the more serious commentary on immigration, the legacy of colonialism and the tensions within the country’s Algerian communities.