Broken Horses

    Broken Horses
    2015

    Synopsis

    The bonds of brotherhood, the laws of loyalty, and the futility of violence in the shadows of the US Mexico border gang wars.

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      Cast

      • Anton YelchinJacob Heckum
      • María ValverdeVittoria
      • Vincent D'OnofrioJulius Hench
      • Thomas JaneGabriel Heckum
      • Sean Patrick FlaneryIgnacio
      • Christopher MarquetteBuddy Heckum
      • Wes ChathamAce
      • Sadie AlexandruSantion's Wife
      • Jeremy LukeFranco
      • Greg SeranoMiguel Santion

      Recommendations

      • 60

        Los Angeles Times

        While Chopra attempts to crack the American market with a slice of cinematic apple pie, he holds up a mirror to how Hollywood's tried-and-true narrative of vigilantism connotes who we are, at home and overseas.
      • 50

        San Francisco Chronicle

        The film is fun and extreme, and though in the end rather pointless, there’s a certain audacity here — a delight in extremity — that’s appealing.
      • 38

        New York Post

        The bloodshed is artful, at least.
      • 38

        Chicago Tribune

        Broken Horses raises the question of what is cockamamie, and what is cockamamie and outlandish and ridiculous yet a perfectly swell time for those very reasons. This one's just cockamamie without the swell part.
      • 33

        The A.V. Club

        Very loosely inspired by Chopra’s 1989 feature "Parinda," this wan crime drama plays like the equivalent of a Hindi novel that’s been run through Google Translate. Everything feels rudimentary and slightly awkward, though it’s possible to discern how the material might once have been powerful.
      • 30

        Variety

        Fails to convince on several crucial levels, including plotting and dialogue.
      • 30

        The Hollywood Reporter

        Notable Bollywood producer-director Vidhu Vinod Chopra makes a highly uneasy transition to American films with this weirdly baroque modern-day Western that, while it boasts undeniably imaginative visual and plot flourishes, is far too absurd to take seriously.
      • 30

        The New York Times

        A deeply silly drama of corrupted innocence.