Drunktown's Finest

    Drunktown's Finest
    2014

    Synopsis

    On a desolate Navajo reservation in New Mexico, three young people – a college-bound, devout Christian; a rebellious and angry father-to-be; and a promiscuous but gorgeous Nádleehi (trans person)- search for love and acceptance.

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    Cast

    • Jeremiah BitsuiLuther Sickboy Maryboy
    • Kiowa GordonJulius
    • Shauna BakerKarah
    • Lora Martinez-CunninghamNun
    • Debrianna MansiniPhoebe Smiles
    • Pierre BarreraMr. Omaha
    • Mark SivertsenPhillip Smiles
    • Amber MidthunderModel
    • MorningStar AngelineNizhoni Smiles
    • Carmen MooreFelixia

    Recommendations

    • 80

      Arizona Republic

      Freeland does a fine job, waiting for her characters to converge in a way that doesn't feel overly forced, though there is a bit of that "Crash" tidiness in how things fall together. Still, the film is moving and human.
    • 75

      TheWrap

      Drunktown’s Finest shouldn’t be viewed simply as an anthropological curiosity, though, but as the promising debut of a gifted filmmaker who wants to show the beating and hurting hearts of the people behind the headlines.
    • 60

      The New York Times

      The screenplay tracing the characters’ struggles has a tidy, workshopped feel, and the dialogue and acting can be gratingly flat. But what gives the film a certain confidence is its cultural specificity and the fresh clashes and contrasts it presents.
    • 60

      The Hollywood Reporter

      While Freeland's plotting is graceful, there are occasional moments of stiffness in the dialogue itself, brief rough patches her largely neophyte cast can't fix in the delivery.
    • 50

      Variety

      Unfortunately, Drunktown’s Finest too often suffers from stilted performances and scripting.
    • 50

      The Dissolve

      Drunktown’s Finest oscillates between servicing banal plot machinations and the beautiful, symbolic simplicity of the culture it’s representing.
    • 50

      RogerEbert.com

      Drunktown's Finest shows a filmmaker struggling to find her voice. It's a whisper here, but we can hear it.
    • 50

      Los Angeles Times

      Unfortunately, each main character serves as an avatar emblematic of a societal symptom instead of a real person in whose shoes we can stand. As a result, their trajectories are didactic and predictable.