Equals

    Equals
    2015

    Synopsis

    A futuristic love story set in a world where emotions have been eradicated.

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    Cast

    • Nicholas HoultSilas
    • Kristen StewartNia
    • Guy PearceJonas
    • Jacki WeaverBess
    • Bel PowleyRachel
    • Claudia KimVoice of The Collective
    • Scott LawrenceMark
    • Toby HussGeorge
    • Kate Lyn SheilKate
    • David SelbyLeonard

    Recommendations

    • 67

      Hitfix

      If you can get past the witlessness of the world itself, there is some very good work in Equals, and fans of the cast will be no doubt pleased with the connection they have in some of the movie's best moments.
    • 50

      The Hollywood Reporter

      For high-concept melodrama that's low on complexity, this very solemn film takes itself way too seriously. But it's not entirely without interest, thanks to sleek visuals and decent chemistry between alluring leads Nicholas Hoult and Kristen Stewart.
    • 50

      Variety

      From Doremus’ side of things, it can’t be easy to depict something as subtle as “intermittent feeling” or “increased sensitivity,” though the helmer does a fine job of laying the groundwork for the attraction blooming between Silas and Nia — boosted by the resonant collection of electronic tones and chimes that constitute Equals’ futuristic score.
    • 42

      The Playlist

      Its few saving graces are some decent shot-making, a rather great score and the loveliness of its lead actors' faces.
    • 40

      CineVue

      Doremus doesn't appear to take the world he has created at all seriously. The rules shift and bend, are observed - or aren't - according to the exigency of the narrative, which ultimately renders the whole exercise fundamentally unconvincing and fatally irksome.
    • 40

      The Guardian

      Equals doesn’t really work as either a plausible attempt at rendering some sort of future society, nor as a really convincing thwarted-love story.
    • 40

      Screen Daily

      Equals just about passes muster as a solid vignette of love against the odds, but when it comes to futurism, its vision is dustily archaic.
    • 40

      The Telegraph

      The film has so little to say about forbidden love, and gives its stars so little dramatic sinew to flex, that it already feels like a footnote in the genre.

    Loved by

    • darkness