Hungry Hearts

4.00
    Hungry Hearts
    2015

    Synopsis

    The relationship of a couple who meet by chance in New York City is put to the test when they encounter a life or death circumstance.

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      Cast

      • Adam DriverJude
      • Alba RohrwacherMina
      • Roberta MaxwellAnna
      • Brandon ReissBaby
      • Joshua ReissBaby
      • Jake WeberDr. Bill
      • Victoria CartagenaMonica
      • Al RoffeMarguerito
      • Geisha OteroRosa
      • Jason SelvigJ

      Recommendations

      • 83

        The Playlist

        With a unique blend of style and content, an escalating discomfort in atmosphere, a score that sounds like it was spawned from the nether regions of hell, and three ferocious performances, Hungry Hearts is this year’s most unique horror film.
      • 80

        New York Daily News

        As the couple’s life becomes more and more insular, Costanzio subtly builds the drama into suspense that’s utterly natural and smart.
      • 50

        The Hollywood Reporter

        The idea is original enough to pique curiosity, and the small cast, led by Alba Rohrwacher and the up-and-coming Adam Driver of HBO’s Girls fame, digs gamely into the material, but something is missing.
      • 50

        Village Voice

        Hungry Hearts owes much to early Polanski (especially Repulsion and Rosemary's Baby), but Costanzo prizes ambiguity over tension.
      • 50

        New York Post

        Beginning as an adorable romcom, Hungry Hearts morphs into a disturbing but not particularly illuminating story of mental illness.
      • 40

        CineVue

        Although there is certainly tension at moments and Driver once more proves himself an actor of great promise, Hungry Hearts falls between two baby chairs - neither satisfying as a thriller nor convincing as a drama.
      • 40

        The Guardian

        It is a tense, claustrophobic nightmare, played with sincerity and force, particularly by Adam Driver. But a strident orchestral score keeps intruding, dark chords telling us how scared we ought to be, and it is as if Costanzo is not content with an ultra-real relationship drama, and wants his film to be some kind of heavy-handed horror-thriller too.
      • 40

        Variety

        It’s as if the director can’t decide what he wants: to chronicle the disintegration of a family, or to take a magnifying glass to a woman whose mania overwhelms all rational thought.

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