Youth in Oregon

    Youth in Oregon
    2017

    Synopsis

    A man is tasked with driving his embittered 80-year-old father-in-law cross country to be legally euthanized in Oregon, while along the way helping him rediscover a reason for living.

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    Cast

    • Frank LangellaRaymond Engersol
    • Billy CrudupBrian Gleason
    • Christina ApplegateKate Gleason
    • Nicola Peltz BeckhamAnnie Gleason
    • Mary Kay PlaceEstelle Engersol
    • Josh LucasDanny Engersol
    • Alex ShafferNick Gleason
    • Rebecca BlumhagenAva
    • Carla QuevedoGilda
    • Will JanowitzRalph

    Recommendations

    • 80

      We Got This Covered

      A surprisingly uplifting film about a very difficult topic, Youth In Oregon's remarkable ensemble cast elevate the story into something unique and profound.
    • 70

      Village Voice

      Oregon is more than a bittersweet look at a man deciding to end his life before he’s too invalid to have a say in the matter: It’s a study of how plain ol’ stubbornness can keep a family forever brimming with dysfunction.
    • 58

      The Film Stage

      Youth in Oregon is a struggle to get through — in its frequently puzzling choices and missed opportunities — but it opens up and reveals itself with genuine catharsis in its closing that just, maybe, is worth the trip for the patient, forgiving viewer.
    • 50

      RogerEbert.com

      Is this all well-acted? It certainly is, especially by Langella. But all things being equal, I’d prefer to see him in a revival of “The Man Who Came To Dinner.”
    • 50

      Observer

      The terrific cast is well worth watching, but everything else about this wayward movie mistake leaves you feeling just awful.
    • 40

      The Hollywood Reporter

      A drama that struggles to breathe life into its death-themed narrative.
    • 38

      Slant Magazine

      Joel David Moore's film is too often distracted by irrelevant emotional grandstanding.
    • 30

      Variety

      Maudlin and mannered, this contrived indie squanders another fine late-career performance from Frank Langella, dousing its treatment of the subject in affectations until it’s snuffed out any trace of genuine life.