Synopsis
The film spans 30 years in Julieta’s life from a nostalgic 1985 where everything seems hopeful, to 2015 where her life appears to be beyond repair and she is on the verge of madness.
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Cast
- Emma SuárezJulieta Arcos
- Adriana UgarteJulieta Arcos (young)
- Daniel GraoXoan Feijóo
- Inma CuestaAva
- Darío GrandinettiLorenzo
- Michelle JennerBeatriz
- Pilar CastroClaudia (Beatriz's Mother)
- Nathalie PozaJuana
- Susi SánchezSara (Julieta's Mother)
- Joaquín NotarioSamuel (Julieta's Father)
Recommendations
- 80
The Telegraph
It’s one of his least crazy films in narrative terms, but you couldn’t call it subdued, because the colours and textures he’s coaxed from a new director of photography, Jean-Claude Larrieu, are even more intoxicating than ever – it’s like an unexpectedly dry martini in a dazzling Z-stem glass. - 80
Time Out London
It might be familiar territory for Almodóvar, but only a master of his art could make it look so easy. - 75
The Film Stage
Riffing on Spanish telenovelas, Hitchcock, and film noir, Almodóvar and his production team have put together a slight, but undeniably gorgeous bauble with a simple sort of story that nestles in somewhere between the high and lowbrow. - 75
The Playlist
If the resulting film, Julieta feels neither wholly Munro nor typically Almodovar in final execution, there is still a very compelling energy given out by the collision. - 70
Screen Daily
Although the seams may show on a narrative level, and some may find it over-cooked, this is a luxurious slide into female neurosis. - 60
The Guardian
This is not as richly compelling as other Almodóvar films, but it’s a fluent and engaging work. - 60
CineVue
For all the glib élan on display, there is very little being said, above and beyond the slickness of a well-tuned melodrama. The plot always risks revealing its essential silliness and there isn't much wit or humour to alleviate the mood. - 58
IndieWire
It's one thing to make a minor, accomplished work after focusing on grander statements, but Julieta mainly disappoints because it feels like the kind of straightforward, unadventurous drama that the filmmaker generally excels at reinventing through his own peculiar vision. This time, he plays it too safe.
