Bushwick

    Bushwick
    2017

    Synopsis

    When an unknown military force invades Bushwick, a Brooklyn neighborhood, young student Lucy and war veteran Stupe must rely on each other to escape and survive.

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    Cast

    • Dave BautistaStupe
    • Brittany SnowLucy
    • Angelic ZambranaBelinda
    • Jeremie HarrisJP
    • Myra Lucretia TaylorMa
    • Alex BreauxLt. Brewer
    • Arturo CastroJose
    • Quincy ChadHeathcliff
    • Christian NavarroEduardo
    • Manny AlfaroMr. Argo

    Recommendations

    • 63

      Slant Magazine

      Cary Murnion and Jonathan Milott's Bushwick is a genre film with a refreshing sense of political infrastructure.
    • 60

      Total Film

      Dave Bautista’s street-level action flick is galaxies away from Marvel gloss, but the Guardians scene-stealer lends physicality to this gutsy, Carpenter-esque B-movie.
    • 50

      Movie Nation

      Bushwick never rises above bush league, more a missed opportunity than a wickedly on-target winner.
    • 50

      The A.V. Club

      Bushwick imagines nothing less than the collapse of the United States Of America, with half the country in armed revolt. At a time when that possibility can feel all too frighteningly real, it’s dispiriting to see it employed as little more than an excuse to engineer a live-action Grand Theft Auto.
    • 42

      The Playlist

      Maybe if the film gave us the relief of a satisfying ending, the grimness, the ickiness, wouldn’t be so pronounced. But it doesn’t.
    • 40

      We Got This Covered

      Murnion and Milott’s Bushwick feels like a John Carpenter film without the societal skewering. A nasty, hate-filled movie with shaky detailing.
    • 30

      The New York Times

      The filmmakers feign boldness in tackling national politics, but revert to coyness and caricature when it comes to local matters, gesturing toward a multiculturalism that isn’t even skin deep and sweeping gentrification under the rug.
    • 30

      Los Angeles Times

      Realistically depicting full-scale domestic terrorism is one thing, but directors Cary Murnion and Jonathan Milott seem unaware of how their long-take gimmick — the cuts are easily determined — destroys logic, emboldens the use of stereotypes, and kills suspense.